Two Stories by Andrew Ivey

Still Hungry for More Thrills & Chills?

We will continue to run a new story each day this week. These stories were written at an Inlandia workshop for those wanting to write for Ghost Walk.

***

A Doll’s Dominion

The Eckright women were said to have a nasty habit of fatal mortality in their early forties. The routine curse was one, folklore had it, offered by the devil to some not-too-long-term thinking Eckright man who gave the devil the lives of his daughters at the expense of one of the largest agricultural fortunes of Southern California. But, this was only folklore, and though folklore may be dissected and disputed the sickness which wove its way across the Eckright family tapestry was very real.

It was always such a shame too. Little girls who were remarked upon as “sweet hearts” and “pretty little things” grew into women of astounding, paralyzing beauty. But suddenly, as if on a soulless, supernatural schedule; they would fall bed-ridden. Sometimes, but not always, the sickness was made even more untimely by the recent birth of a child.

The trend continued down the generations; until finally one of the more-long-term-thinking Eckright women had the foresight to make a new tradition. A woman of keen intellect and a compassion more heavenly than worldly, she purchased a doll from some shop in downtown Riverside. The name and nature of the shop were forgotten to her shortly after, when the illness wrecked her bones and ravaged her mind; but the sentiment of the doll was not.

The doll, “Angie” was to stand watch over the Eckright’s when the family curse took them, to not leave their side so that as they went from one world to the next; it would be as if all generations of the family were in the room with them, so that they would not make the journey of life and death alone.

Angie herself was a rather inconspicuous-though-elegant doll. Soft, rounded porcelain features, blue eyes which almost captured the color of a soul, blonde hair that sometimes was curled and brushed. She didn’t wear a mourning dress, a custom that was absolutely forbidden when one very sad husband attempted to bring Angie to his wife’s funeral. Angie was a family treasure, to be honored and cared for. Although, no one could blame the poor man for his misunderstanding. The Eckright women, after all, always managed to pick themselves good and loyal husbands.

It was Rachel Eckright who broke that tradition.

Arthur Kraddick was a man bereft of a moral compass. He came from another wealthy family, another of the clans who lived on hills and considered themselves local aristocracy, but was as quick to spend money as he was to make it. He was a liar, a thief, and rumor had it…a murderer. But; what could local folklore do to dissuade a woman whose family was known for making a deal with the devil when the man she loved was only considered a mere murderer?

No. Arthur Kraddick had swindled one brother out of their father’s will; sent his mother to an insane asylum and sent his sister to an early death. What was breaking the heart of a wonderful, though naïve, young woman? And indeed, he would not have conned her long. What are twenty years, two children and a façade of lovingness to one who is constantly playing a long game in their mind? Arthur Kraddick was scornful of his children; whose naming he left to Rachel, and only provided his wife the basic affections she needed to convince herself that his love had any semblance of truth.

But he had a calendar. One in the drawer of his desk. Not a traditional kind but one of a series of tally marks and numbers which he would use to attempt a prediction of Rachel’s succumbing to an illness.

When she finally fell, bedridden and alone, Arthur already had budgeted the final years of his life according to the massive fortune he would inherent. He intended to spend every penny, to live out his long; final days in an opulence that would make Julius Caesar blush. His hated children would receive nothing but his blood in their veins.

However, something unheard of happened, an occurrence that had not once happened in the better part of a century. Rachel began to recover. The symptoms of her recovery were slight, not enough to embrace hope but enough to be suspicious of its arrival.

Arthur, however, could not wait.

Rachel always asked that a cup of water be placed on her nightstand, in case she woke up thirsty. Usually the duty of a trusted maid that loved Rachel as an older sister, Arthur brought his wife her nightly drink; shortly after he fired each member of the household staff in preparation for his seizure of the property.

One reluctant sip was enough to close her throat.

In her final moments, terrified, she pointed at her husband, who was cruel enough to laugh.

“You foolish little girl,” he chided, “There’s no one here to witness your accusation.”

What Arthur did not know was that she wasn’t pointing at him. Behind him, through her darkening vision, she perceived something monstrous in a white dress. Arthur’s body faded into a darkening mist, lifted off the floor by some large, lumbering white shadow. His feet kicked beneath him wildly as Rachel died. The last thing she heard was Arthur’s terrified screaming, and the last things she saw were glowing blue eyes.

When the staff returned, bringing police in anticipation of a struggle, they found the couple dead. Rachel was smiling, beautiful as ever as the angels embraced her. Arthur’s face had a look of frozen horror, a gaze that looked upward from the floor as if staring at a demon.

Angie sat on the shelf, her soft porcelain hands covered in blood.

***

You Never Hear About Them Anymore

You never hear about werewolves anymore.

In the old days, in Europe, everyone was afraid of them. Some evil man or woman would go out into those black forests and they would meet a man. Only the man was tall…and dark…more of a stretched, slender shadow whose form only vaguely suggested being a man. In the flickering light of a dying fire (one doesn’t partake in such a transaction without fire) the shadow would also seem something far older, far greater than a man.

After you made the deal, you supposedly lost your soul…but then, anyone who would want what you got from that deal wouldn’t have had much of a soul to begin with.

The individual in question would then proceed to go about their days: uninterrupted and largely uneventful. It was their nights that changed, when they gave themselves up and underwent the change in order to carry out their crimes. Ghastly crimes too, the sort that would make even the strongest modern detective vomit at the mention. Europe’s history is full of ‘em; tailors who murdered children, cannibals who lived on the sides of roads and ate travelers alive; packs of wolves that went uninterrupted into cities to steal babies from their cribs.

Then the scares sort of stopped.

You don’t hear about werewolves anymore.

But you see the posters. You know, the ones that are just outside grocery stores? “Missing Since,” “Please Help,” “Call with any information.” You stop and you wonder to yourself how so many people could be missing for so long, how they never found them or where they could possibly go. Enough to fill a board that big, at least one hundred faces from your own towns.

There aren’t many forests out here, sure. Bu there are mountains, desert, whole tracts of land on the fringe of your city that nobody bothers to even check. Certainly there is no concern about fires, plenty of things burn out here. And then there are the industrial districts, the abandoned parts of town full offices which are only inhabited for 25% of the year before they are inevitably given back to the emptiness which so tightly cling to them.

And then, living in a city has made you far too arrogant, you’ve thrown caution out the window almost entirely. Your buildings, walls, don’t mean anything when someone can just break them. You wander home alone at night simply because there are streetlamps now. A street lamp might do you some good if you only had to worry about seeing. They don’t stop someone…something, from lunging out behind an alley, from the water drains or bike trails. And like I say, there are mountains all around us. Technically, each of you lives on the edge of civilization; though the term is just as meaningless now as it was to the Europeans, all those hundreds of years ago.

The reason you don’t hear about werewolves anymore isn’t because they’re less scary.

It’s because we’re scarier now than ever before.

Books Illuminate the Days of the Dead by Frances J. Vasquez

In “The Labyrinth of Solitude,” writer-poet Octavio Paz said, “The opposition between life and death was not so absolute to the ancient Mexicans as it is to us.

“Life extended into death, and vice versa. Death was not the natural end of life but one phase of an infinite cycle.”

That view is never clearer than during festivities for Days of the Dead, or Días de los Muertos, when the spirits of our departed loved ones come alive in joyful celebration.

Rituals surrounding the holiday have been practiced by indigenous peoples of Mesoamerica for thousands of years. They believe that the souls of the dead have divine permission to return to earth each year to visit their relatives. Offerings of flowers and food are set out to welcome them. It is a time for feasting and reunion – not a somber occasion.

Celebrations are held on Nov. 1, All Saints Day, for deceased children; and Nov. 2, All Souls Day, in honor of deceased adults.

The relatively recent phenomenon of Day of the Dead in the United States illustrates the power of cultural traditions as opportunities for people to exchange ideas and learn from each other.

The Riverside Public Library offers interesting, authoritative books about the tradition. I recommend “Día de Muertos en México – Oaxaca,” by Mary J. Andrade, and “Fiesta: Days of the Dead & Other Mexican Festivals,” by Chloë Sayer.

Both books are beautifully illustrated. Andrade’s is bilingual and Sayer’s is in English.

Death for the indigenous of Mexico signified a stage in a constant cycle, not an end of life. Aztecs and other Mesoamerican cultures kept skulls as trophies and displayed them to honor the dead. The skulls symbolize death and rebirth. In Mexico, the deceased are honored at cemeteries, homes and businesses through elaborate altars displaying offerings of candles, incense, photos, memorabilia, favorite foods, beverages, and flowers (particularly cempasuchitl, or golden marigolds).

Why marigolds? According to legend, during the Aztec travels in Mesoamerica, the ruler Tenoch led the Nahua tribe in search of a place to settle. Many people died during the arduous journey. The travelers stopped to pray to the sun god for flowers to honor the places where their loved ones perished. A day later the fields were covered with beautiful golden cempasuchitl. The ancestors adorned the graves with this flower, hence the traditional flower of the dead.

Legendary Mexican printmaker José Guadalupe Posada used calacas, or “skeletal” images, as political and social satire – making fun of the aristocracy during the repressive Porfirio Diaz presidency. Posada’s caricatures in Mexico’s newspapers sent direct messages that even the illiterate could understand: the disdain for the corrupt regime. His illustrations successfully molded public opinion against Diaz, and served as the “face” of the Mexican Revolution. Posada’s calacas are favorite images in U.S. Day of the Dead memorabilia.

UNESCO declared the city of Oaxaca in 1987 as part of the cultural heritage for mankind, and in 2003, UNESCO recognized Day of the Dead celebrations as part of the intangible cultural heritage of world humanity. A dream came true for me last year when I traveled to Oaxaca for the weeklong Day of the Dead festivities where the meaning of the indigenous beliefs are kept intact.

According to Andrade, the author, “The new gods have yet to displace ancient ones.” It’s the season in which bright magenta and golden orange flowers cover the expansive fields like a fine cape.

The Central Valleys of Mexico are sprinkled with rural towns imbued in tradition and culture. I visited several Zapoteca and Mixteca quasi-ceremonial centers: Teotitlán del Valle, Etla, Mitla, Ocotlán, Tlacolula, San Martin de Tilcajete, and Zaachila where the land is infused with history, legend and folklore.

Subtle variations in the festivities reflect each town’s particular cultural character. Everyone anxiously awaits this short but substantive season when aromas stimulate one’s senses to reflect on those who have departed physically, and share in famous Oaxacan delicacies: mole, bread, tamales, chocolate, mezcal. The capital city of Oaxaca is the jewel of the valleys whose architectural design is a colonial monument.

Residents hold colorful processions through the streets featuring large puppet figures. Elaborate altars are installed everywhere: homes, businesses, hotels, restaurants and cemeteries.

The Inland area’s premier Day of the Dead festival will be held 3-10 p.m. Saturday, Nov. 7, in downtown Riverside on Market Street between University Avenue and 12th Street. The family-friendly celebration will highlight a procession of Aztec danzas to invite the spirits to dance and rejoice during this symbolic annual reunion. Of special interest are the family and community altars along 10th Street from Market Street to the Ysmael R. Villegas Medal of Honor Monument.

Visitors to the community altar are invited to write down the names of departed loved ones and include satirical, brief poems in the form of epitaphs, or humorous anecdotes about the deceased. Admission is free.

For more information, visit www.riversideca.gov/museum/day-of-the-dead.asp.


Frances J. Vasquez is president of the Inlandia Institute board and a member of Inlandia’s Riverside writing workshop.

For more literary journeys, go to inlandiainstitute.org.

Together Forever by Michelle Gonzalez

Still Hungry for More Thrills & Chills?

We will continue to run a new story each day this week. These stories were written at an Inlandia workshop for those wanting to write for Ghost Walk.

***

My name is Beatrice. I don’t remember much about when I was born, but I remember when my life changed. It was not the day that my sister Emily was born, although I always cared for her. She always had the sweetest smile as a baby. Even when she followed me everywhere, I did not mind. It also was not the day my father left us. My mother and I were used to taking care of the household. You can say my life changed when my mother moved us here to Riverside. I remember the city was growing and the Mission Inn was fairly new.

Not long after we arrived, I met Jack. We were both twenty-one and the eldest child of our respective families. Most of the time, we enjoyed this, but it came with responsibilities like working to help support the family. Neither one of us went to college, but for the most part we did not mind. We both enjoyed being outdoors.

We spent most of our time together. My sister and mother constantly complained, saying Jack was a bad influence, but this was not the case. They did not know that I was often the bad influence on him. I do believe, however, that my sister just wanted a bit more of my time.

One evening, we decided to walk by the Mission Inn. It was right here, where the Chinese Pagoda stands (points to pagoda) that the event happened. Jack and I were holding hands and then I saw someone in the distance. He appeared to be ill and my first instinct was to ask if he needed help, but Jack warned me not to. Against his judgment, I decided to approach the stranger. As I got closer, I noticed something was not right. Before I could turn and run away, he grabbed a hold of my arm. He then bit down with what felt like all his force. Before I knew it, Jack was by my side. He hit the stranger and with one blow knocked him down to the ground.

I began to feel strange. I knew that something wasn’t right and that I was somehow changing. I was beginning to feel an uncontrollable hunger for meat. I could see the look in Jack’s eyes. There was complete fear in them, but there was also still undying love.

I tried to tell him to run, but he would not. Instead, he took me to his home. He promised me that he would take care of me. Every day he would bring me something to eat, so I would no longer feel the hunger. As long as it was fresh, I did not mind what it was.

The people in the city began to talk. Since I had disappeared, they began to suspect the worst. They accused Jack, but since there was never any proof, he was eventually cleared of any suspicion of a hideous crime. We were the only ones that knew the truth. Years passed and they began to wonder why Jack never married or even went on a date. Most of his time was spent with me behind closed doors that kept us safe. This went on for many years until one day he just vanished. No one will ever know what happened to his body.

Maggie by Melodie Rae Gunn

Still Hungry for More Thrills & Chills?

We will continue to run a new story each day this week. These stories were written at an Inlandia workshop for those wanting to write for Ghost Walk.

***

This annex was built in 2 phases….1913 and 1926. It 1st served as a girls’ dorm for the staff of this hotel. Later..a boys’ dorm was added to the back. That bridge goes straight across to a stair case that goes down to the kitchen, where they would start their day. Our story is about a young girl, just 17 years old…named Maggie. . .

It was Halloween and Maggie was one of the few staff still working. She was orphaned at a young age & had to start working early in life. Since she didn’t really have any family or friends to spend the holidays with…she was always willing to work so others could have the night off ..and..of course… so she could make a little extra money.

It was just past midnight & she was heading to her room. She always dreaded walking across that small, dark, bridge to her room. Tonight …there was a thick cloud cover ..so it was much darker than usual. And maybe….just maybe..since it was All Hallows’ Eve …her imagination was working a little harder than normal.

There is a large cross just before the bridge….and for some reason…she always imagined someone …or something…crouched upon it…ready to jump. She diverted her eyes and hurried towards the gate. The gate closed behind her with a resounding click. She started across the bridge…and felt as if someone had followed her… and was right behind her. Terrified…she paused. The hairs on her neck stood up. She took a deep breath and whipped around and started to say ‘Who’s there?!’ and her question fell short….

She was greeted by darkness….and dead silence.

She had a bad habit of biting her nails when she was nervous….and tonight…she looked like a wild, animal caught in a trap…. As if it were chewing upon its own flesh to free itself from the steel jaws.

She picked up her pace and made her way across the rest of the bridge and went straight to her room!

She was glad to find Beth there. They had become best friends and confidants in the last year since they started working together. Beth had taught her a lot about her job…

Maggie started to get ready for bed and thought she heard humming. She paused to listen ….and it stopped. She chided herself…

Beth: Oh Maggie.. you are really letting your imagination get the best of you tonight.. Stop this nonsense!

She continued getting ready for bed and suddenly there was a loud noise…like something falling to the floor. Beth woke up …and rolled over…

Beth: Maggie…are you OK? What was that?

Maggie with a strained voice said: It wasn’t me Beth.. I don’t know what that was!

Beth sat up ..wide awake now & reached for some matches. Electricity was still very limited in places…and their rooms were always dark. Beth lit her candle and together, they started looking for the source of the noise. They found a book on the floor by the chair and nightstand. It was Beth’s from earlier. She thought maybe she might have set it too close to the edge of the table earlier….as she was quite tired when she had retired for bed. They both let out a strained laugh and went back to what they were doing.

Maggie: Beth..I thought I heard someone humming when I came in. Is there anyone else in the dorms tonight?

Beth: I don’t think so…but maybe ….

Maggie: OK. I swear…ever since that boy, Mark, told me about seeing strange apparitions in the catacombs and that some guests had been mysteriously pushed down the stairs near the honeymoon suite…I think I jump at just about everything these days!

Beth: Oh Maggie…they are just silly stories the boys made up to scare us!

Maggie: I guess so. But even tonight…as I crossed the bridge…I swear it felt as if someone had followed me and when I turned around…there was no one there.

Beth: Wow…that is odd. But I’m sure it’s just your imagination.

Maggie shrugged: Yeah…probably….

Maggie finished getting ready for bed and Beth was almost asleep when Maggie thought she heard humming again.

Maggie whispering: Beth…do you hear that?

Beth in a half sleepy voice: Hmmm..what?

Maggie: The humming…I hear it again.

Beth: Mmmm…maybe there is someone here then….

Maggie: I’m going to go look & see if I can find anyone else…

Beth: OK….and she instantly fell back asleep as Maggie went out to look.

The next morning….Beth awoke and Maggie was not there. She figured since they were so short handed…that maybe she had already started work. Although it was unlike her to just leave without saying something….

She got ready and headed down to start her day. She asked several of the other staff members if they had seen Maggie yet. No one had. Beth went to the security office to ask.. they hadn’t seen her and she hadn’t clocked in either.

No one had seen or heard from Maggie since she got off work the night before.

Beth thought it odd that Maggie would just go off without saying anything. She had no friends or family out here in Riverside. So where would she go??

Beth went about her day and hoped maybe Maggie would be back in their room later. When Beth ended her shift…she went straight to their room. No sign of Maggie…or that she had even been there at all.

No one knows what became of little Maggie….

And sometimes….to this day…people report hearing what they think is a young girl humming…

Just up there…where the girls’ dorms used to be…

Two Stories by Nan Friedley

Still Hungry for More Thrills & Chills?

We will continue to run a new story each day this week. These stories were written at an Inlandia workshop for those wanting to write for Ghost Walk.

***

The Last Encore

Venue: Back to the Grind

Characters: Master of Ceremonies, Sylvia Plath, John Berryman, Anne Sexton

Master of C: Welcome to Ghost Walk’s Dead Poets’ open mic night. This evening we are pleased to present three confessional poets who are making a special appearance, back from the dead, to share some of their most memorable work. Our first poet, Sylvia Plath, in a state of severe depression resorted to suicide by oven in 1963, welcome back to our world. Give it up for Sylvia.

(MC and audience applause, cheers)

Sylvia Plath:   Thank you so much for the warm welcome. I will be reading an excerpt from Lady Lazarus a poem that feels particularly relatable this evening.

Lady Lazarus

Dying

Is an art, like everything else

I do it exceptionally well

 

I do it so it feels like hell.

I do it so it feels real.

I guess you could say I’ve a call.

 

It’s easy enough to do it in a cell.

It’s easy enough to do it and stay put.

It’s the theatrical

 

Come back in broad day

To the same place, the same face, the same brute

Amused shout

 

‘a miracle’

That knocks me out

There is a charge

 

For the eyeing of my scars, there is a charge

For the hearing of my heart

It really goes.

 

And there is a charge, a very large charge

For a word or touch

Or a bit of blood

 

Ash, ash

You poke and stir

Flesh, bone, there is nothing there—

 

Out of the ash

I rise with my red hair

And I eat men like air.

 

(MC and audience applause, cheers)

 

Master of C:   Thank you Sylvia. We sure do miss you. Wish you could have stayed with us to write more amazing poems. Our next poet, John Berryman, decided to end his life by jumping off the Washington Avenue bridge on the campus of University of Minnesota in 1972. Let’s welcome John to our stage to perform a poem from his Dream Song book.

(MC and audience applause. cheers)

John B:   Thanks for bringing me back for an encore reading this evening. I’ve chosen Dream Song 14:

Life, Friends, is Boring

Life, friends, is boring. We must not say so

After all, the sky flashes, the great sea yearns,

We ourselves flash and yearn

and moreover, my mother told me as a boy

(repeatedly) ‘Ever to confess you’re bored

means you have no

 

Inner resources,’ I conclude now that I have no

inner resources, because I am heavy bored

people bore me

literature bores me with its plights and gripes

as bad as Achilles

 

Who loves people and valiant art, which bores me

And the tranquil hills, and gin, look like a dog

And somehow a dog

Has taken itself and its tail considerably away

Into mountains or sea or sky, leaving

behind me, wag

 

(MC and audience applause, cheers)

 

Master of C:   Thank you Mr. Berryman for your many Dream Songs we enjoyed through the years. It was so inspiring for you to lend voice to your words. Our final poet of the night is Anne Sexton. When life became too overwhelming for Anne, she locked herself in the garage with her car running to eventually die of carbon monoxide poisoning in 1974. We are so happy you have returned to join us for open mic night. Please welcome Anne Sexton.

(MC and audience applause, cheers)

Anne Sexton:   Thank you. It is so nice to see so many young people in the audience who are interested in poetry. Although it may not seem like it, writing was a source of comfort to me as I hope it is for you. I will be reading:

Waiting to Die

Since you ask, most days I cannot remember

I walk in my clothing, unmarked by that voyage

then the almost unnamable lust returns.

 

Even then I have nothing against life

I know well the grass blades you mention

the furniture you have placed under the sun.

 

But suicides have a special language.

They want to know which tools

They never ask why.

 

Twice I have so simply declared myself

have possessed the enemy, eaten the enemy

have taken on his craft, his magic.

 

In this way, heavy and thoughtful,

Warmer than oil or water

I have rested drooping at the mouth-hole.

 

I did not think of my body at needlepoint.

Even the cornea and the leftover urine were gone.

 

(MC and audience applause, cheers)

 

Master of C:   Thanks Anne for sharing your powerful poem with us. Perhaps your words will bring strength and courage to those in need. I want to thank all of our dead poets this evening for giving us a glimpse into their worlds. Let’s bring them back on stage one more time.

(MC and audience claps and cheers for encore, but no dead poets return to stage)

Master of C:   I’m afraid they are not coming back. They are lost to us now except on pages. Thanks for joining us tonight. Be safe going home.

***

Coveted

Venue: Annex

Characters: Homeless Hank, Eloise the Librarian, College girl/News Anchor, Boyfriend/News Anchor

Props: shopping cart, garbage bags, cane, pillow, sleeping bag, two microphones

Hank:       I like to hang out in the library parking lot…park my portable home on wheels in the back. I’m a collector. Wandering around the city I’ve found some gems. You’d probably be surprised by what I have in my cart. I’m a people watcher too…especially like pretty young girls…ones with long hair and longer legs.

Eloise:       I’ve been watching him from my office window in the library. He leers at young girls, drools when he sees one he really likes. Disgusting…dirty letch. I wonder what’s in his cart…curious if he has anything valuable.

(young college age girl walks by)

Hank:       It’s my lucky day! She’s heading to my secret hideout. I’d like to keep her warm tonight. Maybe just talk about my collections. I could give her a gift.

(Hank follows the girl, pushing his cart)

Eloise:       There he goes. She’s not paying any attention to him… with those earbuds and texting, she doesn’t even hear him. I better tag along. I wonder what he’s up to. I’m a little slower these days. (walks with a limp using her cane)

(Girl waves to young man by Mission Inn service entrance)

College girl: Sorry I’m late. Couldn’t find a place to park.

Boyfriend:   That’s o.k. I just got off…big party in the Music Room.

(Girl and boyfriend hug and walk off together)

Hank:       I was so close. She would have been a lot of fun. Guess I’ll just call it a day.

(Hank gathers his grimy pillow and sleeping bag from his cart, curls up on the annex steps and goes to sleep)

(Eloise waits till she is sure Hank is asleep…beats Hank with her cane. She walks away with Hank’s cart, smiling)

Eloise:       Serves him right. Tomorrow there will be an article in the Press-Enterprise about a homeless man found beaten to death. The police will request information about a bloody cane next to the body. I won’t be calling any time soon. (crazy laugh)

Girl News

Anchor:   On December 21st, the longest day of the year, is National Homeless Person’s Memorial Day. It started in 1990 to remember those homeless who have died on the streets in our communities. Each night, over 51,000 homeless sleep on the streets of LA.

Boy News

Anchor:   There is no official tracking of the number of homeless deaths. In LA county when no relative comes forward to claim the body, the person is cremated. In 2012, all the remains were buried in one unmarked grave…1,756 forgotten souls.

Three Stories by Jane O’Shields-Hayner and Angelina O’Shields-Hayner

Still Hungry for More Thrills & Chills?

We will continue to run a new story each day this week. These stories were written at an Inlandia workshop for those wanting to write for Ghost Walk.

***

The Halloween Birthday

By Jane O’Shields-Hayner

NARRATOR: “The cemetery was alive. It was October 31st and the Dia de los Muertos decorations were on many of the graves and in the aisles between the graves. It was a happy day for Cecil. It was his birthday. It was long ago when his day of birth had come and passed, more than a century now, and the past fifteen years had been strange for him.

Once, as a younger man, in his fifties, sixties, seventies and eighties, he had spent his days eagerly busy in his many pursuits. He owned a produce company, and his day began before dawn, when he met the trucks and the trains loaded with fresh farm fruits and vegetables. They arrived from all around North, Central and South American, meeting their last destination in Cecil’s warehouse before they were washed, shined, boxed and appeared in the neighborhood grocery stores. Cecil worked hard and left his office in mid-afternoon. It was his choice, since he was the boss.

Everyday he had gone to the golf course to play a few rounds with his friends, or to the horse stable, where his daughter, Jane, his only child, rode everyday after school. He cared for her horse, his horses, and all their feed and tack, and he delighted in the happiness he shared with her there, and with the beautiful animals that had become members of their family.

The walk he now took from the cemetery to his daughter’s house was only three blocks, and he walked this nightly, although he wasn’t sure why. Once, he had found his old Ford truck sitting in front of her house, and remembered that he needed to check the oil. He lifted the hood, secured it with the support bar, hung the cage-covered light bulb, illuminating the truck’s engine; and he was taking care of his business when the neighbor’s daughter started screaming.”

CECIL: “Geeeee Mooneee! (he exclaimed) What’s wrong with her? He put down the hood, mumbling to himself and walked away.”

CECIL: “Jane?”

NARRATOR: “He called his daughter’s name and then became restless. The stars were still out, but an orange glow had appeared from the east, illuminating the yellow fringe of leaves on the Sycamore tree. Suddenly he was very tired. He began to walk back to the cemetery, and then he forgot. He forgot every time he remembered. Yet he still remembered that he forgot. The words: transient, ischemic and dementia held places of sadness in his memory. It was a partially forgotten sadness, and he could no longer understand it, but the low-down feeling lingered, still.

He loved the old cemetery, and it seemed that everyone there was always celebrating his birthday. Whenever he left it, a longing set in that was powerful enough to change the direction of his walk, every time, every night that he could remember.

Birthday guests were sitting on the graves, gathered into groups. Boxes of apples and pears, winter oranges, squash and grapefruits lay on the ground, completely covering some of the burial spots. How odd. “It must be the farmers’ market night here, tonight,” thought Cecil. “Yes, it must be!”

He knew all the farmers by name. Yes, he would visit them too. As always, he would first visit Jane, then maybe he would walk to the stables and feed the horses. He loved them so, even though the pain in his knees was a result of his loyalty to the white horse, May, the one that fell with him again and again and again. The black horse was Jane’s and she was elderly now, in her thirties. She had been a beautiful, high-strutting Paso Fino mare in her time. Now she was a family treasure, cared for and pampered. He would take her an apple, and a carrot for May, of course.

Cecil picked the treats from boxes of food on a nearby grave and tried to pay Mrs. Sanchez a dollar each for the two of them, but she seemed to not even hear what he said. He dropped two one-dollar bills in her lap, and they lay on the white, embroidered apron she wore. She was looking away, but when she glanced back at her lap she shrieked, and called out: “Jose! Miguel, aqui! Aqui! Andele!” Then she stood up and the two dollar bills fell from her apron to the grave below her.

The lights were out in Jane’s small, blue house on 12th Street. Cecil thought he would go down to the stable and find her there.

Two young boys stood staring at the cemetery.”

JOSEPH: “Morris, I dare ya to walk in there!”

NARRATOR: “Joseph was a black-haired boy, wearing a zombie mask and dancing; showing off his best hip-hop steps.

Morris, a boy with curly blond hair and a white sheet over his clothing, stood at the edge of the graveyard. The toes of his leather shoes touched the grass on the manicured lawn and his heels touched the pavement of the street.”

MORRIS: “I’m already in there!”

NARRATOR: “Morris shouted back.

Families knelt on the graves, placing photographs, toys, foods, and Halloween pumpkins all around them. They were starting early. Dia de los Muertos didn’t occur for another day, but many families began decorating on Halloween, because they enjoyed it.”

JOSEPH: “Hey.”

JOSEPH: “It’s not even scaarryyy! Look, everybody’s mama is here! Nobody here looks creepy at all, mostly just us!”

NARRATOR: “Morris gazed toward the bloody stains on his ripped bed sheet. His mother had splattered red paint across the sheet and cut holes in it for Morris’ arms and head.

Cecil loved children and he laughed softly when he passed the two boys in costume.”

CECIL: “Ha, ha, ha…”

MORRIS: “Did you hear that?”

JOSEPH: “Hear what?”

MORRIS: (quietly) “Did you hear that laugh?”

JOSEPH: “You’re craaaazzzy, Morris!”

MORRIS: “No I’m not.”

JOSEPH: “Yes you are!”

MORRIS: “Don’t make me wanna punch ya!”

JOSEPH: “My mama will tan your hide if ya do!”

NARRATOR: “Cecil laughed again, remembering something he couldn’t place.”

CECIL: “That’s just what my mama said!”

NARRATOR: “The red paint on the white sheet, the words the boys used, the shoes they wore, shabby, dry, worn out leather, seams busting out and strings hanging loose, all of it was like visiting an old friend, to Cecil.”

MORRIS: (in a flat, serious voice) “I heard it again.”

NARRATOR: “Now Morris’ voice was shaking and Joseph had stopped dancing and stood like a tombstone, holding his breath.”

JOSEPH: “I heard it too.”

NARRATOR: “Klop, klop, click, klop…klop, klop, click, klop….The Cinderella carriage, pulled by a shining white horse was walking down the street. Inside, four costumed riders laughed and sang “Werewolves of London,” hitting the wrong notes as often as the right ones.

Cecil looked up and saw the white horse, and recognized it as May, his stumbling, but loyal white mare.

He stepped up his pace and broke into a trot. He was amazed that his knees didn’t hurt. At one point, he remembered using a cane, then a walker, then he was unable to walk at all, even after the doctor talked him into his second round of double knee replacement surgeries.

That was when his memories became like a dense, rainy day fog, when his night walks became strange, when everyday was his birthday, when people shrieked when they saw him, and sometimes when they didn’t, when he only stood near.”

CECIL: “I’ll catch that mare. I’ll take her to the barn and brush ‘er down, give her some hay and oats and mix in a little sweet feed to make her happy.”

NARRATOR: “He trotted toward the white horse and when he got closer he slowed to a walk, so he wouldn’t frighten her. Cecil didn’t notice the carriage, the harness, the riders or the driver. His focus was May, his white horse. “How did she get here, right on the street,” he asked himself.

The horse was walking slowly and the passengers in the carriage were still singing: “ahhhooooohhh, Werewolves of London, ahhhooooohhh…” when Cecil grabbed the reigns and gently stopped the forward direction of the entire entourage; horse, driver, carriage, and passengers.”

DRIVER: “Hey, what’s wrong with you, Sally? Git, come on, ha! Cooommme on!”

NARRATOR: “Cecil held the reins in his left hand and began to guide the horse in a U-turn toward his barn. The driver was perplexed, now losing any cool she may have once had, and shouting at the horse. “You bag of bones, you turn back hah!”

The revelers in the carriage had stopped singing and looked afraid. One woman screamed, “Let me out!”

The boys standing on the edge of the graveyard watched the scene with their eyes like large marbles, protruding from their faces, and the families decorating graves stopped what they were doing and watched.

Cecil began to trot along with the white horse.”

CECIL: “I’ll get-cha home, girl. That’s right, go on home.”

JANE: (sitting on the ground of a grave) “Daddy! I’m here. Come here. Daddy, please, now!”

NARRATOR: “Cecil dropped the reigns and began the walk that always drew him back, and when he did, he came upon a grave that was decorated with black cats and orange ribbon. Jane was sitting on the grave, holding an orange and black birthday cake on her lap. More candles than he had ever seen burned dangerously on the top of the cake. The entire grave was illuminated.”

JANE: “Daddy, I know you’re here. I brought watermelon and salt, just the way you like it, and your golf clubs, your blue ribbons and trophies from your riding days, and I brought long-neck beer, too.”

NARRATOR: “Just outside the cemetery, on the street, the carriage driver now stood beside the horse, petting her. The riders stood, shaken, on the sidewalk.”

CARRIAGE DRIVER: “They say there is a wandering ghost here. It’s a man whose birthday was Halloween. That’s his grave.” (She lifts her arm and points with a long index finger straight toward Jane and the flaming cake)

NARRATOR: “She pointed with a raised arm and long index finger, right to the spot where Jane sat, alone, holding a flaming cake, burning with many candles.

The two young boys now stood at the edge of the grave, and Cecil walked up, bent forward, kissed Jane on the cheek, and spoke.”

CECIL: “Well, I’ll be dad-gummed if that’s not the purtiest cake and the most candles I’ve ever seen.”

NARRATOR: “The families who sat on the other graves, the carriage driver and all the riders, and the two young boys all joined in when Jane began to sing.”

JANE: “Happy birthday to you, happy birthday to you, happy birthday, dear Daddy. Happy birthday to you!”

NARRATOR: “When the song ended, Cecil and the boys all bent forward and blew out the blaze of candles. A cloud of thick, waxy smoke blew over the cemetery and the many ofrendas that decorated the graves.

Cecil looked at the boys. The blond, curly-haired boy looked up at him and smiled.”

CECIL: “Well, I’ll be darned!”

NARRATOR: “The black-haired boy walked to a grave where a family laughed and toasted Cecil’s birthday and Morris walked underneath Cecil’s long winter coat and disappeared.

Jane cut the cake and Cecil sat on the ground, leaning on a tombstone. Only the name on it was visible. It read Cecil Morris O’Shields, October 31, 1907-October 25, 1999. Draped on the gravestone were a pair of white riding chaps and a bridle. On the ground before it was the photograph of a white horse, with a curly-haired man riding her. He was smiling and petting the horse’s shining neck.

The carriage now moved smoothly through the night street, the occupants were now laughing and retelling the tale shrieking and laughing.”

RIDERS: “Did you see him? Was he scary? I’ll bet this was all an act, just part of the carriage ride, part of the show, yeah, that’s right.”

NARRATOR: “A whoosh of air had extinguished the candles on the cake that Jane held, just as it always did. Now, for all the living world to see, Jane sat alone on the grave, telling tales of her childhood and reading stories she had written about her family. No one was apparently there to listen, just the fruit, the salt shaker, and the long-neck beer, but she smiled, offering up a slice of birthday cake on an orange napkin to whoever passed her father’s grave, on this night, on Halloween, on his birthday.”

***

Ghost Angels

By Jane O’Shields-Hayner

Setting: a dark corner of downtown Riverside

Characters: Narrator, Sound Effects Person, Kevin, Teacher

Most of these roles can be shared by the same cast members, ie: narrator could do sound effects and Kevin’s voice.

NARRATOR: “The street corner was dark. Night sounds rose from several directions (SOUND EFFECTS, THE BACKGROUND SOUND EFFECTS DO NOT OVERWHELM THE NARRATOR’S VOICE)

Up the street, a drum’s beat measured time (DRUM SOUNDS) and electric guitars played rock and roll (GUITAR RIFF). A singer’s voice floated into the night, flat and struggling to catch up (VOICE, BLUESY TONES). Tires screeched (TIRES SCREECHING) from the distance and from nearby the rattle of ceramic dishes (DISHES SOUND) being loaded into a tub mixed with the drums and guitar, where the Mission Inn restaurants were now closing.”

TEACHER: “This is where I come to hear them.”

ACTION: The woman speaking wore athletic pants, a yoga top and a zip-up hoodie. She fidgeted with an iPhone, pushing buttons, making adjustments, holding it close to her ear.

TEACHER: “I hear them at night, (PAUSE) Listen! First you’ll hear the runners’ rhythm.”

ACTION: She held the phone facing the direction of her gaze.

TEACHER: (whispering) “Then you’ll notice a softer sound …Shhhhhh….. Listen! (she holds her index finger to her lips) Oh, my! (she drops the arm holding the phone to her side) It’s going to be a late run tonight. On hot days they come later. (she smiles) I guess the sidewalk is too hot for ghost angels.”

NARRATOR: “It was a hot night. The sun had set, but heat still radiated from the concrete sidewalk and the asphalt on the streets.”

TEACHER: “I was his teacher. He was diagnosed with a brain tumor, and I was assigned by the school district to teach him at home. He was remarkable. He was excited about everything he learned. When I assigned reading a book by a particular author, I would return in three days and he would have read not one, but two or three! It was delightful to make lesson plans for him. Our classes were more like graduate seminars than high school, and he was only fifteen!”

ACTION: She turns and cocks her head to move one ear in the direction she was looking and she stares motionless for a full minute, then begins to talk.

TEACHER: “He was an excellent student, and an athlete. He was a runner. He ran more than two hours a day, up through the rocky climb of Mount Rubidoux, through the scrubby foothills of Box Springs Mountain. He ran through the neighborhoods and streets of downtown on the days when he ran without his track team. On those days he ran with Lady… oh yes!”

ACTION: She stopped and looked directly toward the listeners.

TEACHER: “I haven’t told you about Lady… Lady was a stray dog rescued by Kevin’s family. They saw her roaming wild and hiding in bushes on the high school athletic field. They tried to catch her, offering food and affection, but she was so frightened she wouldn’t come near. Kevin and his dad took sleeping bags and camped out on the field, where they watched her roam the area in the dark of night, searching for bits of trash and discarded wrappers, hoping to turn up something to fill her hungry belly. She was thin and walked with her head low and her tail tucked tightly between her back legs. Fearing an imminent attack, she stayed in a self-protected posture.

Finally, Kevin and his dad asked The Animal Control officers for help. They brought a big cage to the field and placed fresh meat inside it. Kevin and his Dad continued sleeping on the ground and waiting. For two nights the dog came near but wouldn’t go in. On the third night, hunger won over her fear and she walked into the cage, tripped the trap and was caught.

Lady stayed at the pound for one week and Kevin and his family visited her every day. When they were able to bring Lady home, she immediately became family.

When Kevin began having headaches they were crippling, but he tried to ignore them. Schoolwork needed to be done, running became difficult, due to the pain, but he didn’t stop. The joy of flying, face first, into the wind, parting the breeze with his arms, shoulders and legs, and becoming part of the fast-moving world he saw to all sides, drew him to lace his running shoes up daily and let his strong legs loose, flying him into the hills.

One night while he was sleeping, he couldn’t ignore the nausea and pain inside his skull any longer, and he fell from the bed to the floor, unable to move. Lady was, of course, lying on the floor beside his bed, and when he fell she knew Kevin was in danger. She sniffed his breath for clues, then ran downstairs to the room where his parents slept and she barked until they awoke.”

Sound effects: (ARF! ARF!)

TEACHER: “She grabbed the sleeve of his mom’s gown between her teeth and pulled to summon them out of bed. Upstairs they found Kevin unconscious and called 911, then an ambulance came and took him to the hospital.

When I taught Kevin in his home, we sat at his dining room table, and Lady lay on the floor beside us. She was the size of a small German Shepard, with long, shining black hair and a bit of brown around her face. She won my heart in no time, and I agreed with Kevin’s family, that she was possibly the smartest dog I had ever known. She actually spoke. She used her voice in a low volume howl and pointed her nose toward whatever it was she wanted or was trying to tell you.

After teaching Kevin for a year, his medical appointments grew more frequent and his parents put him on home schooling to cope with the erratic schedule. I heard from him occasionally. When he had brain tumor surgery, I visited him in the hospital. That was the last time I would see him.”

PAUSE: The teacher looks down, then straightens her clothing and begins to talk again.

TEACHER: “Ten years later, Kevin’s mother wrote to me that he had passed away and they invited me to attend his memorial service. I learned that Lady had taken ill when Kevin went into the hospital that last time, and I learned that she died three days before him.”

ACTION: The woman stopped, took a deep breath, and ran her hands under her eyes, brushing tears from her cheeks.

TEACHER: “I was standing here one October night, several years ago, and I heard the fast-paced footsteps of a person running, clearly coming toward me from behind. I didn’t think anything of it, and only when the steps grew close did I move to the edge of the sidewalk and glance behind me to let the runner pass. To my amazement there was no one there, just the footsteps, clear and crisp. They passed me by, and I felt a whoosh of air, as they continued and moved out of my range of hearing. Then I heard a faint, familiar voice, calling ‘Lady! Lady!’ The calls became distant, and then I heard them no more. His voice was deeper, but there was no mistaking it. It was his voice.

From behind me I heard softer steps, padded steps, the steps of a running dog. Like the runner’s steps, the canine steps grew close, passed beside me and disappeared in the direction I had been staring. No dog was there to be seen but I knew the soft, galloping sounds were the sounds of Lady’s soft paws on the concrete.

I was overcome by joy, knowing these two beloved souls were nearby, even if they were ghosts. I knew they were surely ‘ghost angels,’ and I’ve called them that ever since; Kevin and Lady, Riverside’s ‘ghost angels!’”

ACTION: The woman was silent a moment, and then she raised her head, turned to the side and spoke, a smile now rising from her lips and growing across her face.

TEACHER: “Here it is! Do you hear the sounds of the runner?”

SOUND EFFECTS: Running footsteps (human), they start quiet, then grow louder and then quiet again, then disappear.

Then the soft galloping sounds begin. They also start quietly, louder, then fade away softly.

TEACHER: “They never run together.”

ACTION: Her face turns away, her eyes stare into the distance. She swallows and squeezes her eyes shut, as though she anticipates tears.

TEACHER: “It’s been three years since I first heard them pass, and they are always alone, running a few moments apart, and I always feel a wave of sadness when they pass me by.”

ACTION: She closes her eyes. The steps approach once more. The runners steps are slower.

The padded galloping steps become a walk, then a low, growling howl, soft and non-threatening.

KEVIN (in a muted male voice he whispers): “Lady.”

SOUND EFFECTS: More soft howls.

TEACHER: “Do you feel that? Do you feel the waves of JOY moving around us? It feels like warm ocean currents!”

ACTION: She closes her eyes and smiles. When her eyes open, tears roll like small rivers down her cheeks. She wipes them away.

TEACHER: “Goodbye, dear ones! You will always be in my heart.”

NARRATOR: “The runners crisp steps now keep a rhythm with the softer steps, and after another moment in which a circling, warm and blissful breeze brushes our skin, (use fans to move the air) the pair of footsteps take off together in a run and disappear into the night.”

KEVIN: “On to rainbow bridge, Lady!”

SOUND EFFECTS: A distant bark, half growling, which fades into the night.

***

ZOMBIE LOVE

By Angelina O’Shields-Hayner (Age 8)

I am a zombie and I am half human. I like to attack mansions. Their size is awesome to me. I can turn into a bat. Not all zombie humans could do that. I was once married to a zombie but after a few hundred years he started having side effects from human blood and he exploded.

I had been grieving for a few hundred years but then I started noticing something was wrong. My husband was playing tricks on me and trying to tell me he was still with me as a ghost, not a dead zombie. We loved each other so much that we couldn’t be kept apart. I was lonely because I didn’t have much family, just my annoying brother, so I wanted my husband back.

He came back and lived in the house with me and my brother went to live in the sky where the other zombie humans lived.

We were all happy.

XOXOXO

THE END

The Secret of Mary Bell By Jacqueline Y. Paul

Thrills & Chills! Check back here each day leading up to Halloween for a new story written at an Inlandia workshop for those wanting to write for Ghost Walk. This story was a selection for the 2015 Ghost Walk.

***

Narrator: 100 years ago on these very streets of Riverside, there lived a child. A very odd child. This child was about 14 when she came to live with her adoptive parents–John and Josephine Jones. They were humble people who owned a mercantile in downtown Riverside–right about where we are standing now.

It was on this very night that a terrible incident occurred. I am actually not comfortable telling you about this particular story on this particular night, in this particular place. But, since you good people have paid good money to come on this tour tonight, I will take a chance.

The child’s name was MARY BELL. She had no friends. And her history was questionable. She had a stick doll she liked to carry around. No one knows where this stick doll came from but rumor has it, it was cursed. Some say it is the physical incarnation of Satan himself!

Just a little bit of little known local lore, right? All I know is that those who tell the story warn others …NEVER say the name MARY BELL…Never in this place on this night. NEVER say MARY BELL. MARY BELL.

Oh, no…I said it! I hope we will be okay! It’ll be okay, right?

Priest: (comes from behind the crowd…maybe some fog… he’s burned in tattered clothes and walks with a limp)

What have you DONE? Mary Bell. Mary Bell….say her name and burn in HELL!!! You’re cursed. CURSED!!! Then he limps away and collapses. All of you are CURSED LIKE ME!

John: (he’s also burned …comes from behind…wearing tattered overalls and burned….kind of looks like a zombie farmer)

CURSED indeed! I will never rest in peace as long as people keep saying that cursed child’s name…bringing her back to life. Bringing her back to torture my soul.

It was 1915… Mother and I wanted a child but my wife, Josephine, was barren. Some say it was the stress of a previous life. You see, my wife and I weren’t always upstanding citizens. We didn’t mean it….but we killed someone–a poor helpless widow. We hit her over the head with a cast iron pan left on her stove.

We stole all of her silverware and the money in her safe…then we buried her under our store.

Nobody knew. (repeats) Nobody knew…

Or at least we thought nobody knew….

When we heard from my brother in Santa Rosa that there was one child survivor after a fire burned the orphanage there, we thought God was telling us that this was our chance for a child. Nobody wanted to take her in because she was…strange. We traveled all the way to Northern California to save her. We thought it odd that she had been there for 13 years–since she was 13 months old–and was never adopted. And, there were strange stories about what had happened to three other families who tied to take her in…and then mysteriously disappeared. All of their homes burned–but she survived. They all had her with them for just about a year….

Josephine: (comes into the crowd ….in period clothing all torn and burned…she also looks like a zombie)

Who spoke that cursed child’s name? I will never rest as long as it is uttered. I remember that night… I remember so well. It was closing time. I yelled for Mary Bell to come help me clean up. She had been with us for 13 months exactly.

And…it was the anniversary of the very night that I committed that horrible thing…I was young. I didn’t know better. I was desperate. And, nobody knew.

Nobody knew.

Nobody knew.

But I knew and I hated to be out on this wretched night. I ached to get home.

I yelled and yelled for Mary–“MARY BELL! MARY BELL!”

I finally found her…sitting on the very spot where he had buried old widow Smith’s body-back where we stored cleaning supplies.

Mary. Mary. I scolded. Get away from there. Let’s go. But she wouldn’t leave. She just sat there staring at that doll…chanting….“BURN IN HELL! BURN IN HELL. BURN IN HELL!!!!”

Suddenly … a wind came along—a HUGE wind! Oh, I can’t think of it! The howling wind and the smell of sulphur! I looked at Mary…her eyes had turned BLACK. She started laughing at me. Oh no! No! No! She has come back!

MARY BELL: (she should look really really scary…) You stupid fools! I’m not a child. I am MARY BELL. I came for your souls! You cannot hide your wrongdoing from GOD or SATAN! You are damned to walk the earth whenever my name is said. You will NEVER REST!

(Mary then looks at her doll…the eyes glow and maybe there’s some smoke or a loud sound or something)

(John and Josephine and the priest start writhing in pain……and there is fake fire or at least fire sounds)

NARRATOR: The Smiths’ store burned to the ground that night. They say it was actually swallowed into the bowels of the earth. The townsfolk later called in a priest to purify the ground. Legend has it that a priest also was cursed to HELL and swallowed up the minute he set foot on the ground. It was many years before anyone built anything here again….but time goes on and we all realized that nothing bad can really come from saying a person’s name or standing in this spot on this night…Can it?…I mean MARY BELL…MARY BELL…what does that do? (dismissive and sing-songy)

(then MARY BELL and a legion of cursed souls start coming up to people saying MARY BELL….MARY BELL…SAY HER NAME AND BURN IN HELL….they all have stick dolls with them….they terrorize Ghost Walk visitors as they walk away…..)

Inlandia: Past, Present, and Future by Cati Porter

People poured out of the elevators and onto the rooftop of the Riverside Art Museum last Friday night for the Totally Amazing Kickoff Event for the Marion Mitchell-Wilson Endowment for Inlandia’s Future. The invitation read, in part, “Marion would want you to attend.” With a 60″ banner of Marion flying at the entrance, she was definitely there, watching over all of us. Marion had many friends, and it was my privilege to be counted among them.

This was an event to remember.

With a drink in their hand, old friends and new listened to live jazz. Emceed by the #1 New York Times bestselling author Teresa Rhyne, and with speakers Heyday founder and publisher Malcolm Margolin, acclaimed photographer Douglas McCulloh, and award-winning local treasure and inaugural Literary Laureate Susan Straight (“There should be a statue!”), there was no shortage of talent present, and the space buzzed.

When the night was over, Marion’s wish had come true: We reached our goal of $100,000.

This is the power of friendship, and of community. I am in awe of all of you.

Some have asked what this endowment is going to do. In short, it will ensure the future of the Inlandia Institute and further the good work that Marion, Inlandia’s founder, set out to do.

Inlandia, since its inception, has provided hundreds of programs, and served many thousands, including creative literacy programs for youth.

SCIPP (Students and Coyotes Instruction in Poetry and Prose) at Bryant School of Art & Innovation in Riverside, a program created by Inlandia’s third Literary Laureate Juan Delgado, helps kids learn to write their own stories, songs, screenplays, and poems, present them in front of an audience, and allows them to see their work in print in a small book.

Other in-school presentations have included authors like Straight and Gayle Brandeis, inspiring the next generation to read and to write.

We’ve also brought puppetry programs to schools through Puppet Palooza, and writing workshops and readings to at-risk youth through a partnership with the Women Wonder Writers program.

Inlandia isn’t just for children, though; Inlandia offers creative literacy programs for adults, too. Our free creative writing workshops program has grown from one held in downtown Riverside to a half-dozen held at local libraries across the region, as well as an annual Family Legacy writing workshop for seniors and a Boot Camp for Writers series of workshops.

Inlandia also publishes books of local interest and national importance. In November of last year, we published No Easy Way: Integrating Riverside Schools – A Victory for Community by Arthur L. Littleworth, which tells the story of the 1965 voluntary integration of Riverside Unified School District, which spurred a series of community conversations that brought people together to talk through tough issues.

Coming in 2016, look for more books by local authors including the local signing sensations The Why Nots, an all-women’s musical group that has been performing together for forty-five years, and one on noted and noteworthy architect Henry Jekyl, who left a legacy of beautiful Riverside homes, and a few mysteries, by Dr. Vince Moses and Cate Whitmore.

In addition to those, we will also be publishing the winners of inaugural Hillary Gravendky Prize, an open poetry book competition with both a national and a regional winner, judged by award-winning CSUSB faculty poet Chad Sweeney. We are thrilled to announce that Kenji Liu (Monterrey Park, CA), was awarded the National prize for his manuscript Map of an Onion, and Angela Ina Penaredondo (Riverside, CA), was awarded the regional prize for her manuscript All Things Lose Thousands of Times.

Inlandia is also proud partners with local libraries and other arts organizations to provide other opportunities for literary engagement including the Riverside Public Library, where Inlandia recently began an outdoor summer reading series during Arts Walk, Literature on the Lawn; Poets in Distress, a performance poetry group, will be presenting on October 1. We also have a brand-new partnership with UCR’s Barbara and Art Culver Center of the Arts, the Conversations at the Culver series where just this past week we kicked off the series with Pulitzer Prize finalist and UCR professor Laila Lalami.

We also take pride in participating in community activities, from Riverside’s Day of Inclusion and Day of the Dead festivities, to the Native Voices Poetry Festival in Banning at the Dorothy Ramon Center to Western Municipal Water District’s Earth Night in Garden in April. Inlandia will also be a part of the upcoming Long Night of Arts & Innovation on October 8 and the Riverside Festival of the Arts on October 10, with interactive literary activities, including a Long Night of Arts & Innovation-sponsored Poetry Box: Bring a poem you wrote at home or write one on the spot and drop it in the box for a chance to win the Long Night Poetry Contest. One poem will be selected for publication on the Long Night of Arts and Innovation website.

Marion once said that Inlandia was “on the cusp”. I think whatever comes after the cusp: we’re here. Welcome to the future. Inlandia means a lot of things to a lot of different people. But to me, Inlandia means all of us. We are all Inlandia. Thank you.

Inlandia Founder Remembered by Cati Porter

No one could ever say “no” to Marion Mitchell-Wilson.

After I began attending Inlandia events in late 2007, Marion invited me for coffee. Before my cup was empty, I had agreed to become a member of Inlandia’s Advisory Council.

Smiling, thoughtful and almost always full of energy, Marion had a way of making you want to help with her projects. And you never regretted it.

Marion, founding director of the Inlandia Institute, died a week ago after a long battle with breast cancer.

I never envisioned an Inlandia without Marion. Occasionally she would say things like, “Cati, when I retire,” but I couldn’t think past the here and now.

Even after she officially “retired” in 2012 to work on getting well, she continued to be present for me, whispering suggestions and offering solutions, serving as Inlandia’s institutional memory.

Many of us have fond memories of Marion, and how she got us involved in promoting the Inland area’s literary life. We’ll share a few thoughts here from several Inlandia board members and local writers.

FRANCES J. VASQUEZ

Marion Mitchell-Wilson cared passionately about many things and all things Inlandia: the people, their stories, and the literary expression of our regional voices. Multi-talented, she was a wonderful gourmet cook who loved to share her bounty and her kindness with others.

One Friday, I helped Marion with preparations for an Inlandia member reception being held the next day. Her amazing menu included a favorite recipe for asparagus spears roasted with orange slices in lemon-infused olive oil and orange vinaigrette. And, a reconstructed whole poached salmon with cream cheese, cucumber sauces, and other delicacies.

During several hours of washing, peeling, and slicing fruits and vegetables, I spilled water on the kitchen floor. I asked for paper towels or rags to wipe the floor with. Marion, in her efficient way, quickly turned to a drawer and handed me a large cloth towel. I bent over to wipe the spills when Marion stopped me. “No, Frances. Don’t bend. Skate like this.”

Marion tossed the towel on the floor, stepped onto it with both feet and skated gracefully around her kitchen floor. We both laughed heartily and continued with the food preparations.

ELIO PALACIOS

I met Marion at last year’s Advisory Council workshop. My first impression was how unassuming she was considering the part she had played in creating and shaping Inlandia. And her love of and dedication to Inlandia was also very apparent as was her knowledge and wisdom.

KAREN RAE KRAUT

Marion and I met in 1990 when the California Humanities Council sponsored a series of public programs on the theme of “Place” and its effect on how we experience our lives. How’s that for foreshadowing?

Our expanding group of interested people went on to receive a grant from the Humanities Council to locally sponsor the American Renaissance Chautauqua, which resulted in the formation of a non-profit organization called the Inland Empire Educational Foundation. IEEF (rhymes with leaf), as we fondly called it, sponsored reading and discussion groups and public programs for the next five years.

Marion was an important part of all these free programs, and her vision and common sense contributed greatly to their success.

ELLEN ESTILAI

It was impossible to be part of the Riverside arts and culture scene and not know Marion Mitchell-Wilson, but I really got to know her after she invited me to a meeting with Malcolm Margolin at the Riverside Main Library to talk about the literary landscape of what we would eventually come to know as Inlandia.

That meeting helped lay the groundwork for Heyday’s book, “Inlandia: A Literary Journey through California’s Inland Empire.”

When the anthology was published, no one in the community wanted that journey to end. Marion was the engine that drove the bus, and she cajoled and sweet-talked fellow travelers into hopping on.

In 2007, I retired from the Riverside Arts Council to devote more time to writing. I was hoping for a respite from meetings and committees, but Marion was having none of that. She told me she wanted me to serve on the advisory council of a new organization, the Inlandia Institute.

“It’s just a few meetings a year,” she assured me. When I demurred, she said, “There will be liquid facilitation.”

I’ve now been in for eight years, as a council member and board member, but also as a writer. Luckily for me, the Inlandia Institute emerged just as I was learning to be a writer. I cannot imagine writing without Inlandia’s support. Like many others in this unique literary community, I am indebted to Marion for her vision, strength, and yes, occasional liquid facilitation.

ENDOWMENT

When Marion first learned the cancer had returned and was terminal, she met privately with Inlandia board members and staff, sharing her one big wish: that an endowment be founded in her name, so she could ensure the future of the organization.

In keeping with Marion’s wishes, the family is requesting donations in lieu of flowers.

Contributions can be made via PayPal, using donations@inlandiainstitute.org, through CrowdRise and by mailing a check to the Inlandia Institute, 4178 Chestnut St., Riverside, Ca., 92501.

And save these dates: Aug 28 for a memorial service at the California Citrus State Historic Park, and Sept 18 for a special endowment kickoff party in Marion’s honor at the Riverside Art Museum.

Literature in Idyllwild by Jean Waggoner

The words of a good story jump off the page to charm, cajole, reason and wrestle with the human imagination. They carry us away, while anchoring us more profoundly to our world. In summer, libraries entice young readers with prizes for significant amounts of any kind of reading, as adults, too, search for new flights of brainy experience.

Riverside readers live in one of the largest counties in the country. When joined with San Bernardino as the Inland Empire (Inlandia, as some of us prefer), our locality is about as big as the state of Rhode Island. We have plenty of places to go and things to see, as well as a huge library system to draw upon for reading, listening and viewing material. Nonetheless, those of us in the county’s rural parts, like Idyllwild, don’t have easy access to a good book store without driving some distance, or as Mount San Jacinto’s people say, “going off the hill.”

Sure, there’s online shopping, but what can a literary-book or CD-gifting auntie do at two O’clock on a Wednesday afternoon to get a birthday present mailed to a thirteen-year-old in the county seat by Friday, when no such virtual store delivery has arrived?

Idyllwild readers know how to find good reading material, of course. Our library offerings include used book sales and several of the town’s thrift and “junk-tique” shops carry old books. The Nature Center or Forest Service offer selected new books on topics of outdoor interest, including publications by Inlandia members Myra Dutton and Sally Hedberg.

For Mackenzie, who turned thirteen on July 10th, this auntie broke from tradition and selected writing, instead of reading materials: a journal and a booklet of flowery sticky-notes from Idyllwild Gift Shop (whose proprietor has often posted Inlandia workshop fliers on her bulletin board). Tactile and old tech, the gifts brought back teen memories, a spiritual link from one generation to another.

The shopping excursion also elicited some community appreciation of what we do have in Idyllwild. We’ve got organizations that promote the arts in our schools, often drawing on retiree talent. In the literary arts, we have theater, writing and book club groups. The Idyllwild Arts campus, a fine arts high school, also offers summer classes for kids and adults.

Although we have no literary laureate who writes specifically about our mountains, quite a few published writers work or vacation here, and luminaries like Ann Rice have stayed awhile, somewhat incognito, among us. Local stories have been collected, showcased and archived by our highly acclaimed Idyllwild Historical Society and Idyllwild writers continue to add local color to literary writing. The literary climate is alive and well, here!

Sadly, long-time Idyllwild resident Myra Dutton will no longer serve as co-leader of our Idyllwild Inlandia Writing Workshop, after this summer. We understand, and we value the gifts she has inspired us with, including her “daughter of the plains’ meditation” on the Andrew Wyeth painting Christina’s World, which she shared in this beautiful poem:

Riding the Sacred

I have heard the secrets here,

felt the breath and beat of wind

across the grass-maned prairie,

and I climb on the back of this Earth,

as if I had journeyed centuries before,

her wild hair twined in my hand.