Literature in Idyllwild by Jean Waggoner

The words of a good story jump off the page to charm, cajole, reason and wrestle with the human imagination. They carry us away, while anchoring us more profoundly to our world. In summer, libraries entice young readers with prizes for significant amounts of any kind of reading, as adults, too, search for new flights of brainy experience.

Riverside readers live in one of the largest counties in the country. When joined with San Bernardino as the Inland Empire (Inlandia, as some of us prefer), our locality is about as big as the state of Rhode Island. We have plenty of places to go and things to see, as well as a huge library system to draw upon for reading, listening and viewing material. Nonetheless, those of us in the county’s rural parts, like Idyllwild, don’t have easy access to a good book store without driving some distance, or as Mount San Jacinto’s people say, “going off the hill.”

Sure, there’s online shopping, but what can a literary-book or CD-gifting auntie do at two O’clock on a Wednesday afternoon to get a birthday present mailed to a thirteen-year-old in the county seat by Friday, when no such virtual store delivery has arrived?

Idyllwild readers know how to find good reading material, of course. Our library offerings include used book sales and several of the town’s thrift and “junk-tique” shops carry old books. The Nature Center or Forest Service offer selected new books on topics of outdoor interest, including publications by Inlandia members Myra Dutton and Sally Hedberg.

For Mackenzie, who turned thirteen on July 10th, this auntie broke from tradition and selected writing, instead of reading materials: a journal and a booklet of flowery sticky-notes from Idyllwild Gift Shop (whose proprietor has often posted Inlandia workshop fliers on her bulletin board). Tactile and old tech, the gifts brought back teen memories, a spiritual link from one generation to another.

The shopping excursion also elicited some community appreciation of what we do have in Idyllwild. We’ve got organizations that promote the arts in our schools, often drawing on retiree talent. In the literary arts, we have theater, writing and book club groups. The Idyllwild Arts campus, a fine arts high school, also offers summer classes for kids and adults.

Although we have no literary laureate who writes specifically about our mountains, quite a few published writers work or vacation here, and luminaries like Ann Rice have stayed awhile, somewhat incognito, among us. Local stories have been collected, showcased and archived by our highly acclaimed Idyllwild Historical Society and Idyllwild writers continue to add local color to literary writing. The literary climate is alive and well, here!

Sadly, long-time Idyllwild resident Myra Dutton will no longer serve as co-leader of our Idyllwild Inlandia Writing Workshop, after this summer. We understand, and we value the gifts she has inspired us with, including her “daughter of the plains’ meditation” on the Andrew Wyeth painting Christina’s World, which she shared in this beautiful poem:

Riding the Sacred

I have heard the secrets here,

felt the breath and beat of wind

across the grass-maned prairie,

and I climb on the back of this Earth,

as if I had journeyed centuries before,

her wild hair twined in my hand.

A Conversation With Rattle Editor Tim Green by Cati Porter

We’re again in the midst of National Poetry Month, so I thought it might be a good time to catch up with one of our regular columnists, Timothy Green. An avid supporter of the literary community, Tim recently moved from Los Angeles to Wrightwood, a move that has proven fruitful for him and his family. Here is our conversation:

Cati: Inlandia is all about celebrating the region, so tell me: you’ve been living in the Inland Empire for a few years now. What convinced you that moving to Wrightwood was the right move, and how does it compare to where you were living before?

Tim: I grew up in western New York, and my wife in rural Washington, state. We moved to Los Angeles to work at Rattle, but we were never meant for the City of Angels. We managed for a while, avoiding crowds by time shifting our weekends and work hours, but then we had kids and realized we needed a change. We chose Wrightwood for the seasons, the nature, and the easy drive up—coming here felt like coming home. I’d never lived in a small town before, and now that I’ve experienced the friendliness of the line at the post office and how much everyone cares about things like Little League, I’ll never be able to leave.

Cati: Most people who follow this column know that you write for Inlandia Literary Journeys and by virtue of that know that you are the editor of Rattle, a prestigious literary journal based out of Los Angeles. You mentioned once that you read something like 80,000 submissions each year—is that right? How do you get through so many submissions?

Tim: Writers send us 100,000 poems a year now, which is 250 a day, every day—even Easter. When you consider that the average book of poetry is about 50 poems, that’s five books before bed each night. I don’t know how we do it—my wife Megan and I read everything, and we’re always reading. But, then, this is the 21st century; everyone is always reading. We’re just always reading something very specific: boxes of submissions.

Cati: Can you tell us about the literary community in Wrightwood? I understand there are a number of writers who live there? You’re a writer as well as an editor—how has moving to Wrightwood affected your writing?

Tim: Wrightwood is a great place for writers—it’s almost in the name, right? My office overlooks a few dozen Jeffrey pines, all of them full of squirrels and quail and Stellar’s jays. It’s a great space for daydreaming. And there are writers here—I met a few through Inlandia: MJ Koerper and Victoria Barras Tulacro. But there hasn’t really been a literary community; there hasn’t been a nexus to bring us all together.

Cati: Today in my inbox, I received notice that you are planning a Wrightwood Literary Festival? Can you tell me a bit about it—where did the idea come from, and what kinds of activities and special guests do you have planned? I understand you’re also leading a workshop, on polishing your writing for publication. That’s a great opportunity for folks who want an editor’s insider perspective.

Tim: We’re having this festival to bring us all out of the woods, so to speak. The festival was borne mostly of jealousy, to be honest. I love Wrightwood, but I wish there were more of an Idyllwild element to it. Wrightwood is a great gateway to skiing and hiking, or day-tripping the Angeles Crest, but it isn’t known for art—why not? There are artists here, many visual artists, many musicians, many writers. I thought we could show off the beauty of our mountains, while also giving our local artists something to rally around. 

Inlandia Literary Laureate Juan Delgado is giving a keynote presentation on hiking and storytelling, followed by creative workshops with local artists. It’s really a retreat: our goal is to provide a space where participants’ personal stories can come to life. The wildflowers will be blooming, the pine scent on the air will be at its peak—it will be a respite from the daily grind of the Inland Empire, capped off with a lively open mic.

My contribution will be a workshop on how to really move an audience through writing. We all have important stories to share, each one of us, but how do we make a complete stranger want to listen? As an editor, that’s been my job for the last decade, and I’ll share what I’ve learned.

Cati: Do you think the festival will become an annual event? If so, what do you think future years will have in store?

Tim: The festival is definitely going to become an annual event. We wanted to start small and build outward, and in the future we’d like to make it a whole weekend, spread across multiple venues in town, including more visual arts and theater. For now, more information for the May 30 event can be found at www.wrightwoodlitfest.com.

Poetry in Idyllwild with Cecilia Woloch by Myra Dutton

I first met Cecilia Woloch in 1999, when she became the founding director of the week-long summer poetry program at Idyllwild Arts Academy in Idyllwild, California. For the next nine summers, Cecilia selected an impressive lineup of guest poets. It was an honor to listen to renowned authors as they read their work in our little mountain town. Pulitzer Prize winners, Galway Kinnell, Sharon Olds, and Natasha Trethaway; U.S. poet laureates, Ted Kooser and Billy Collins; MacArthur Fellowship recipient, Terrance Hayes; National Book Award winner, Lucille Clifton; and National Endowment of the Arts recipients, David St. John and Cecilia Woloch were some of the headliners who entertained us while we sat on the grass hills that lined the amphitheatre where the event took place. I became accustomed to the idea of having such greatness in Idyllwild, and when it finally ended, I became keenly aware of what we had lost.

Now some of that greatness is coming back! After teaching numerous graduate and undergraduate creative writing programs, as well as leading workshops in locales ranging from Los Angeles, to Paris, to Istanbul, Cecilia Woloch will return to the Inland Empire to offer a weeklong writing retreat at the Idyllwild Manor, a 4200 sq. ft estate in the center of Idyllwild. From November 1 – 7, 2014, Cecilia will lead intensive workshop sessions, offering inspiration and camaraderie, close-critique of participants’ work-in-progress, generative writing exercises, craft-talks, and fireside readings. A special event is also planned. On Sunday, November 2, from 4:30 pm – 5:30 pm, Cecilia will read from her new chapbook, Earth, accompanied by two of Idyllwild’s treasures: jazz saxophonist, Paul Carman, and jazz legend, Marshall Hawkins. Carman toured and recorded with Frank Zappa in the late 1980’s as part of Zappa’s “Best Band You Never Heard in Your Life.” Hawkins joined the Miles Davis Quintet and toured with them. His jazz credits are endless; his philosophy of life is this, “the world would b-flat without music.” The performance will be held at the Idyllwild Manor and will be free to the public.

Woloch’s poems are travelogues of the human spirit, recounting mysterious liaisons, gypsy ancestors, wild horses, and heartfelt longings. She is a guardian of the downtrodden, a creatrix, a wild one that no one can tame. Her words illuminate each page with intensity and beauty: “Do I look like a bride in these rags of wind? Do I look like the angel of home and hearth with this strange green fire in my hands?” Master of the prose poem and impeccable lyricist, she is the gifted tenth muse that Shakespeare idealized… “ten times more in worth than those old nine which rhymers invocate.” As Natasha Tretheway explains, Cecilia is “…a poet who is passionately alive in the world.”

Cecilia Woloch is the author of six collections of poems, most recently Carpathia (BOA Editions 2009), which was a finalist for the Milton Kessler Award, and Tzigane, le poème Gitan (Scribe-l’Harmattan 2014), the French translation of her second book, Tsigan: The Gypsy Poem. Tsigan has also been adapted for multi-media performances in the US and Europe, and is currently being translated into Polish. Her novella, Sur la Route, a finalist for the Colony Collapse Prize, is forthcoming from Quale Press in 2015, along with a new chapbook of poems, Earth, recently awarded the Two Sylvias Press Prize.

Cecilia’s honors include The Indiana Review Prize for Poetry, The New Ohio Review Prize for Poetry, the Scott Russell Sanders Prize for Creative Nonfiction, and fellowships from the National Endowment for the Arts, the California Arts Council, CEC/ArtsLink International, Chateau de La Napoule Foundation, the Center for International Theatre Development, the Isaac W. Bernheim Foundation and many others. Her work has been translated and published in French, German, Polish and Ukrainian. She collaborates regularly with musicians, dancers, visual artists, theatre artists, and filmmakers.

“Instead, you came late, you came after I’d made myself into harbor and chalice and wick. More like the ashes than any warm hearth. More like a widow than wanton, beloved. And you lifted me over the wall of the garden and carried me back to my life.” — Late, Cecilia Woloch

Please join Cecilia Woloch for a workshop of creative writing and performance. Stay at a historic estate, located in the heart of the mandala of Idyllwild. This is an incredible opportunity to refine your writing skills and get your work ready for publishing. The Idyllwild Workshop and Retreat is open to all writers with a serious commitment to the creative process and the desire to be creatively challenged. Cecilia will address participants’ questions and concerns in regard to work habits, reading, revision, submission, publication, and other ways of moving one’s creative work out into the larger world, while honoring, always, the inner source and the integrity of the poet’s voice. Cost for the retreat with 6-nights lodging (exclusive of meals): Shared bedroom: $975, Private bedroom: $1075, Commuter rate (exclusive of lodging): $675. Cost for 3-days only (exclusive of lodging): $350. To register for the workshop, or for further information, contact Cecilia: ceciwo@aol.com.

Inlandia’s Fall Creative Writing Workshops Set to Begin by Cati Porter

The Inlandia Institute’s Fall Creative Writing Workshops are set to begin. Led by professional writers and writing instructors, each workshop is designed to meet the needs of writers working in all genres at all levels. Currently there are six different workshop locations:

Ontario, led by Charlotte Davidson [*Closed: Full]; Riverside, led by Jo Scott-Coe; Corona, led by Matthew Nadelson; Idyllwild, co-led by Myra Dutton and Jean Waggoner; Palm Springs, led by Alaina Bixon; and San Bernardino, led by Andrea Fingerson.

Each workshop series is approximately 10 weeks long, meeting every other week unless specified. Workshops are free and open to the public but registration is required.

Please RSVP to cati.porter@inlandiainstitute.org. Registration forms will be emailed prior to and/or distributed during the first session.

And, while these workshops are free and open to the public, in order to keep them that way, we do ask that you consider an optional but suggested donation of $25 for the entire series. Information about why this is necessary is included in the registration packet.

 

Dates and times vary by location:

Ontario [*Closed: Full]

 

Led by Charlotte Davidson

6 pm – 8 pm

September 10 & 24, October 8, 22, and November 5

 

Ovitt Family Community Library

215 E C St

Ontario, CA 91764

 

Idyllwild

 

Led jointly by Myra Dutton & Jean Waggoner

2 pm – 4 pm

First Friday of every month

 

Idyllwild Public Library

54401 Village Ctr Dr

Idyllwild, CA 92549

 

Corona

 

Led by Matt Nadelson

7 pm – 8:30 pm

September 9, 23, October, 7, 21, and November 18

 

Corona Public Library

650 S Main St

Corona, CA 92882

 

Riverside

 

Led by Jo Scott-Coe

6:30 pm – 8:30 pm

September 25, October 9, 23, November 6, and 20

 

Riverside Public Library

3581 Mission Inn Ave

Riverside, CA 92501

 

Palm Springs

 

Led by Alaina Bixon

2 pm – 4 pm

October 8, 22, November 5, 19, and December 3

 

Smoke Tree Racquet Club

1655 E Palm Canyon Dr

Palm Springs, CA 92264

 

Free parking, accessible from E Palm Canyon or the Citibank lot on the corner of Sunrise/Hwy 111.

 

San Bernardino

 

Led by Andrea Jill Fingerson

3:30 pm – 5:30 pm

September 23, October 7, 21, November 4, and 18

 

Feldheym Library

555 W 6th St

San Bernardino, CA 92410


Alaina Bixon leads writing workshops, including Inlandia’s creative writing workshops in Palm Springs, edits books, and reads for the online journal The Whistling Fire. She is working on an article about women at MIT.

Jo Scott-Coe is the author of Teacher at Point Blank. Her essays can be found in Salon, Memoir, TNB, River Teeth, Hotel Amerika, Fourth Genre, and the Los Angeles Times. Jo is currently an associate professor of English at Riverside City College and the faculty editor of MUSE.

Charlotte Davidson received a Masters in English from Syracuse University followed by an MFA in poetry from UC Irvine. Her first book, Fresh Zebra, appeared in 2012. Charlotte leads Inlandia’s creative writing workshops in Ontario.

Myra Dutton is the author of Healing Ground: A Visionary Union of Earth and Spirit, which was a 2004 Narcissus Book Award finalist and a 2006 selection for “Ten Books We Love” by Inland Empire Magazine.

Andrea Fingerson has taught preschool, reading, and high school English. Currently, she teaches Child Development classes to teen parents. She received her MFA in Fiction from CSUSB. During that time she was a Fiction Editor for Ghost Town and the high school Outreach Coordinator for The Pacific Review. She is a member of the Society of Children’s Book Writers and Illustrators and is currently in the process of editing a young adult novel.

Matthew Nadelson teaches writing at Norco College and leads a creative writing workshop at the Corona Public Library (every other Tuesday from 6 pm to 8 pm) through the Inlandia Institute. He has lived and worked in Riverside County since 1997 (with the exception of a brief stint in San Diego at SDSU, where he earned his MFA in creative writing, from 2002 to 2005). His writing has been featured in more than 20 journals and anthologies, and he was recently featured on the Moon Tide Press website as their “Poet of the Month” for December 2013. His first poetry collection, American Spirit, was published in August 2011 by Finishing Line Press.

Jean Waggoner, a published fine arts reviewer, poet, essayist and story writer, has taught college English and English as a Second Language in Riverside County for the past thirteen years and co-leads the Idyllwild poetry and creative writing workshops for Inlandia Institute. Jean is an advocate for part time faculty equity and co-author of a book on the part-time professor experience, The Freeway Flier & the Life of the Mind.

* Charlotte Davidson’s workshop is now CLOSED due to maximum enrollment; please check back in winter to see if openings are available or join one of our other upcoming workshops that still have seats. San Bernardino and Corona both have openings.