Love Lines for Your Valentine

Still need to write your Valentine? Use lines from a local poet.

Someone seeking clarification about another’s romantic intent and who enjoys the use of lowercase letters like e. e. cummings might appreciate a line from Cindy Rinne’s “Another Park Poem.” Inspired by a walk in Riverside’s Fairmont Park, Rinne wrote, “did you try to carve the bark/ leave a heart…” Rinne lives in Redlands. Her next work is titled “Quiet Lantern.”

Courageous individuals who are willing to be vulnerable might use lines from Cati Porter’s poem “Clearly.” “Look at me/ and tell me that you want me, that you want to heart/ the distance and that you cannot in the object see/ a flaw, and though I am (flawed) I am for you, and/ there is a small tight thought that is wound in me,/ that knowing that you love, a lightning, a lightning/ on the inside: so that you see; so that you know.” Porter lives in Riverside. Her latest book “My Skies of Small Horses” comes out this month.

Seasoned lovers may like to use lines from “Litany” from Claremont poet Lucia Galloway’s latest chapbook “The Garlic Peelers:” “O love, what is your wish?/ We’ve half again as much to say as we have said./ Set down the goblet, and the carmine wine/ sheets down its sides to pool in the bowl./ Let’s drink our words instead of hoarding them.”

Sweethearts who remind you of characters from the The Big Bang Theory should appreciate lines from Marsha Schuh’s “You and Me in Binary.” Appropriately published in the computer textbook Schuh co-wrote with Stanford Rowe, Schuh imagines a world based on four, considers the dominance of the decimal in our world and closes her poem with pondering the numerical effects of becoming a couple: “Then we unlearn it all /learn to speak binary,/ a better way,/ two as opposed to eight or ten,/ the most significant bit,/ the least significant bit/ one-two, on-off, you-we,/ binary.” Schuh resides in Ontario.

Lovers in a more ambiguous relationship may resonate with lines from the Palm Springs poet and writer Ruth Nolan. In her forthcoming book, “Ruby Mountain,” she writes, “shouldn’t I pretend you did it for love/ shouldn’t I believe it was a mistake/ shouldn’t I wonder why not/ shouldn’t I wonder why. . . .”

Those pained may appreciate the words of the title persona in Nikia Chaney’s “Sis Fuss.” The poem “Syllogizing Sis Fuss” closes: “we all hurt. And if we all/ hurt then we all hurt/ each other and the next.” Chaney lives in Rialto.

Jennifer and Chad Sweeney from Redlands are a couple, who are both accomplished poets. Jennifer provides profundity and striking imagery in her book “Salt Memory.” She writes, “As water poured into the heart flows out the palms, so does love return, as thirst, as satiation—the shape the lost ocean has carved onto the salt brick desert.”

With characteristic quirky humor in his book “White Martini for the Apocalypse,” Chad writes, “It was love./ She taught me to drive her bulldozer./ I taught her to forge my signature!”

In earthier lines from his poem “Effects,” first published in Caliban, Chad writes, “The best sex in the world happens during conjugal visits. I’ve gotten myself into prison twice, just to have it. That’s why I’m calling. Happy Valentine’s Day!” Chad Sweeney teaches creative writing at Cal State San Bernardino.

The longing and transformative power of love comes through in the closing lines of Judy Kronenfeld’s “Listen” from her forthcoming collection, “Bird Flying Through the Banquet,” 
“Let your eyes rest/ on my face. Arrest me/ in turn. I will burst/ from the seed/ of myself.” Kronenfeld is professor emerita from UCR.

Ontario poet Tim Hatch gives words to the desire to comfort one’s dearest when he or she is gone: “Scatter my memory where my memories are sweetest. Gulls cry, salt breeze carries me away. When you’re there you can breathe deep, take me inside and remember.”

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For a wider array of classic poems to use for Valentine’s Day, search the Poetry Foundation’s website for “Poems for Valentines” or the poets.org site for “love poems.”