Matthew Nadelson

Barber Shop Poem, Riverside, California

I run my hand along the scars across the back
of my neck, and I’m fifteen again
in the barber’s chair,
his clippers hacking at my cysts.
He tells me barbers used to be doctors,
with their barbed brushes
and blunt scalpels, but I don’t buy it.
The ritual scalping over,
I glanced to my shoulders, sure the future
rested somewhere there in the red
blood trickling down,
buried beneath this husk
of flesh and bone. I shrugged it off,
fearing the future
was as inevitable as hair
or heat-bumps, as the barber called my cysts,
fruit of my teenage loneliness and fear,
the roots of desperation and despair.

Sheela Free

Open White Magnolia

In Memoriam
My Daughter
My Father (Physician, Healer, Soldier, UN Peace Keeper)
9/11

Open white magnolia
sweet smelling as the June gloom
that etherizes all of Socal right about now
that I fought to get planted in memoriam
open white magnolia
dominating my kitchen window in every way
just as you did all those up and down years ago
just as your sweet memory does today
all these 23 years later when you came to be
all these 12 years later when you ceased to be
physically, only,
you fill every nook and cranny, every rafter
with your sparkling laughter
allowing me to mourn you, grieve you, celebrate you
to my heart’s content.

Open white magnolia
spilling its myriad tiny yellow red tipped stamens
everywhere, to spread its fragrant life all over CA
innately, softly just as you did,
spilling, spilling, spilling
its stamens all the time, every day,
unseen, unheard
just as your memory does now,
piercing the June gloom
leaving me agog, gasping even
at its relentless force, its raw edginess,
its jagged truth, its grasp.

Open white sweet magnolia
only for a day or two
sweet surrender to your life force
is all but inevitable, so I do
with a thousand sparkling tears
staining my smiles,
gathering the greatest solace
that you do matter,
that your sweet memory does too
etched in those ever spilling stamens
just for a day or two, spilling, spilling.

Flowers are sacred,
so the Vedas say,
so are you-now, in the guts of the open white magnolia.

~

YouTube video credits (Link to view on Table of Contents):

Technical, props, and the whole making of the MP3 from start to finish, to even the posting of it to YouTube so it would be compressed and easy to transmit, Professor Joe Notarangelo, and for ideas, props, time, and support Professor Diane Hunter. Without them, none of this would have been possible.

Mark Cox

Palm Springs

Imploding casket of leisure and skin cancer,
Bobsled of vanity, autopsy table
Of the dead marriage and midlife crisis–
Could the sun-gods tracked by shadow and angle
Across temple courtyards,

Could they have imagined the tanning bed,
Or how, here, in the endless operatic
Hospice piano lounge of our world,
We worship selves we want, but cannot be–
Intravenous drips of bile and self-pity–

Until the transplant ice chest opens
And the bartender scoops out the viscera,
Offering it once more, in the name of love,
To the body. Can someone explain to me why,
Once we have lain down in our self-made beds,

We choose to get up?
Why, having been divorced and jettisoned,
We insist on being useful again–
Each flagellant helping his neighbor,
Bringing, as it were, his expertise to bear–

Until each visitor is escorted, sedated,
From the asylum ward, committed again
To line dances and speed dating?
Fountains of perpetual joy and anguish,
We are but skin poured forth,

Caressed, and poured again.
The magician, whose wife has sawed
All he owned in half;
The physician whose husband has his ear
To the heart of the babysitter;

The field commander calling in the coordinates
Of his own suburban home;
The hanged suicide denied the kiss
Of his bludgeoned wife;
The voyeur cabbie, nibbling lettuce in his shell,

For whom dawn is a Dollar Store place setting
Minus a beloved to breakfast with.
Though, there are (or were), for all
The spa’s pleasures: crystal healing, mud masks,
The vaguely urinous hot mineral springs,

And, of course, the tanning bed:
That flaming stretcher
On which we are borne narrowly along
Each wanton trench
To glory.

Kate Anger

Self-Culture at the Arlington Branch Library, Riverside

An essay inspired by and subsequently delivered at the Inlandia reading celebrating the launch of its online journal at the Arlington Public Library, Riverside on July, 16, 2011.

“The only way to culture the working classes is to place books among them”
– Andrew Carnegie

           Between 1889 and 1923, industrialist and philanthropist Andrew Carnegie and his foundation funded 142 free public libraries in California (1,689 in total). If a community had the will, the land, and the commitment to public funding through taxes, the foundation would grant support. While this library is technically not a Carnegie library, the city was able to build it after obtaining a Carnegie grant for the expansion of the downtown library. With $7,500 in “extra” funding, the Greek revival structure was built, along with a firehouse attached to the back; it was the city’s first “branch” library.

           You are sitting in my childhood library. Not modern like its “boss” library downtown with the blue tile fountain you could walk around and floating stairs like on the Brady Bunch. The Arlington Branch was older, less fashionable, its milky-green, glass panes more serious—a dignified grandmother’s house. One entered on the side of the building, off Roosevelt Street, but even as a young child, it was clear to me the library had had another life before I started coming in the early 1970s. Peering into the “adult room”—now the community center where we gather today—I could see how the entrance had been on Magnolia Avenue, fronted by great columns; I could picture ladies in long, white dresses and men in bowler hats milling about and I felt connected to them. Sometimes I’d seek out the oldest books in the collection and hold them. I’d make myself as still as possible and close my eyes, my own version of psychometrics—the art of “communicating” with people via objects they’ve held. Maybe, just maybe, I’d get a glimpse of the library through their eyes. And in a way, of course, I did communicate with the dead in that library—authors long gone, their stories, hopes and heresies traveling on.

           I am a first generation Californian. We moved to Riverside in 1965 when my dad bought a pawnshop on Market Street (six months after downtown’s new central library was dedicated and a few years after the great, Mission-Revival Carnegie was torn down). I had no grandparents, no aunts, no uncles, and no cousins within 1,200 miles. I lived in a little box house that was less than 20 years old with furniture younger than that. No history, no tradition encumbered us. Studies show that kids without siblings—“only children”—bond more intensely with peers than do children that have siblings. I think this may be true of children without roots to place. Perhaps they bond more intensely to place than do people who have roots. Wanting to belong, I wrapped the town’s narrative into my own. At eight, I read The Queen’s Own Grove by Riverside author Patricia Beatty. Set in Riverside in 1881, it gave voice to what I’d been imaging all along. I adopted the heroine, Amelia Bromfield-Brown—a transplant like myself—as my ancestor and then creatively “cast” the Heritage House (a Queen-Anne style residence and city landmark, just one mile east on Magnolia) as Amelia’s home and my library as her own. (This connection with historic Riverside ran so deep that thirty years later I was still obsessed with founding families and orange groves and explored them my thesis play: Orange Grove.) So when I say this was my library, it was my library. I felt connected to those early twentieth-century library patrons because we shared the same space (and, as I got older, some of the same authors). They belonged here and so did I; I had the card and the card was all you needed.

           The Children’s Room is where we all start out if we’re lucky enough to have a parent who likes books—or even air conditioning (I make no judgments). We didn’t go to church (another thing that marked us as outsiders in Riverside in the 1960s-70s), but we entered the library with a kind of reverence. Beatrix Potter was my first high-priestess. Her tales of disobedience and punishment were nothing if not Old Testament, and the eventual welcoming back of the naughty kitten or disobedient bunny into the fold was a lesson in grace and forgiveness. I loved the way those books were perfectly sized for my little hands. I never tired of the mesmerizing, watercolor illustrations of little animals in coats drinking tea. I wanted to crawl inside and live there. Books can still make me feel that way. From this building, over and over, I checked out the Beatrix Potter books, as well as Clifford the Big Red Dog, Harold and the Purple Crayon, Where the Wild Things Are, Bread and Jam for Frances. Then I moved on to the Little House Books and the Encyclopedia Brown series, drawn to characters with pluck and grit—not to mention checking out every non-fiction book on horses (a cliché, I know).

           From a turn-of-the-century tract written by a group of New York state librarians: “The public library… shall forever stand as a monument of the homage paid by the people to self-culture.” Self-culture. Similar to one’s spiritual path, the library path was self-directed. Unlike with the school library, I wasn’t restricted to any one “age appropriate” section. I could wander at will. Go where my curiosity led, thanks in part to Carnegie, who was an advocate for “open stack” libraries where patrons were free to browse; in his time, many libraries were “closed stack,” requiring a librarian retrieve a requested book. At the library, they left you alone. Maybe this is why I don’t recall deep and abiding relationships with the librarians I must have encountered there. They were helpful when you needed them, but invisible and quiet when you didn’t. They didn’t care what you checked out. Bring it back (unmarked) was the only contract. They didn’t even check to see if you’d read it. It still brings me a certain “mission accomplished” satisfaction to return a stack of library books on time.

           At some point I moved—as we all do—away from the children’s room. In late elementary school I devoured tawdry, implausible tales by V.C. Andrews and Sidney Sheldon. And when my grandmother moved to California, I started reading the large print editions of the classics my mother checked out for her: Wuthering Heights, Pride and Prejudice, Jane Eyre in 18-point font. And non-fiction too: I can still remember the spot where all the Edgar Cayce books were kept: shelves of testimonials of near death experiences, encounters with the beyond—proof!—of life after death. Again, like church, the library held hope of eternal life.

           And no great cathedral is complete without art. At the Arlington Branch library in the 1970s, they didn’t just loan books and music, but art as well. We kept a spot reserved in our dining room for our monthly library “picture.” On “picture day,” we’d scour the back wall to see if our favorites were available: Renoir’s little girl; Seurat’s park; Waterhouse’s ladies-on-the-verge. Sometimes we’d have to settle for a moody Rembrandt or worse, a still life, but the space was always filled for us, a people inclined towards self-culture, a people sustained and lifted in this place with books among us. Thank you, Andrew Carnegie, and Patricia Beatty, and the unobtrusive librarians of my youth.

           Keeping with the library as church theme, I offer this benediction, a twist on the traditional Irish blessing:

May a chair rise up to meet you,
May a comfy pillow find your back,
May a good book fall into your hands,
And until we meet again, may we read, read, read and remember
enough of what we’ve read to have a halfway decent conversation.

~

Sources

Bulletin of the New York Public Library, Volume 24 By New York Public Library, p. 708

http://www.raincrosssquare.com/mt/2008/06/arlington_branch_library_reopens.php

http://www.carnegie-libraries.org/

Shery Dameron

Lupe

     Her name was Guadalupe, Lupe for short. She was born to an eighteen-year-old migrant farm worker thirty-eight years ago. She was a small fragile baby. The smallest of the six charges in my care at the home for handicapped children where I was working my first job out of high school. The room, which was the only home she ever knew, was large and bright, painted in a light yellow with paintings of nursery rhythm characters on the walls. There were five more cribs just like hers and shelves filled with toys for the other children who shared the room. She was always dressed in a little pink tee-shirt and wrapped in bright floral blankets, but her small body hardly filled the corner of her large chrome crib. I remember her eyes the most. They were a soft, fluid, brown, but not dark or deep, just gentle and doe-like, flecked with small spots of gold that seemed to dance. Maybe I remember her eyes so well because her face ended just below them, leaving them her only truly human feature. Below her eyes, there were two open holes where her nose should have been. I can imagine it would have been a small little button nose if it had formed. And where her sweet plump rosebud lips should have been, was a gaping cavern. Her upper lip was split and exposed soft pink gums. Her lower lip was gone completely. Her jawbone had not formed. Nor had her vertebrae that would have been her neck, forcing all the organs of the throat into her chest cavity, and leaving her mute; unable to even cry out in protest to the pain and suffering that was her short life. The devastation of her body went beyond her face. Her little arms and legs were bent and bowed. The doctors had broken them each in three places and she wore a plaster cast on each in an effort to straighten them. Between each of her long thin fingers was a webbing of skin that made her hands look like flippers.

     Each day while she was forming her mother had worked the fields, back breaking work; I can’t even imagine doing while pregnant. And every day she breathed in the toxic fumes of the pesticides that give us our unblemished fruits and vegetables. These pesticides worked their way to her womb, where they could not tell fetus from fungus, embryo from insect. Her mother didn’t get to hold her after she was born, and only got to see her briefly before she was forced to leave her behind, as she was sent back to Mexico two days after giving birth. What did she think when she saw her baby so malformed? All I know is she called for a priest to give last rites, assuming Lupe would not live. Whether or not he came, I do not know.

     Lupe lived three months. On Cinco De Mayo thirty-eight years ago she died. And thirty-eight years later, her eyes still haunt me. They were just beginning to learn to laugh. Each time someone would show her any kindness, a soft rubbing of her little back, a gentle stroking of her hair, her eyes would light up, even though her mouth was silent. Her mother was allowed to come and see her after she died, and she held her for the first time then. She was not however allowed to take her back home to the churchyard where all of her ancestors lay at rest. Lupe was an American citizen, and so she was buried in an unmarked grave in a public cemetery. There was no service, no graveside mourners, but I mourned her passing. All these years later, every time I pick out the best fruits and vegetables at the market, I think of her, and the many others like her, their bodies bent and broken for our food.

Stephanie Barbé Hammer

Round Table

           We four bought it unfinished.  He – the roommate’s boyfriend – showed us  — her, me and my boyfriend — how to sand it down. And then finish it.  There were 2 kinds of – I want to call them emery boards – but what I mean is sandpaper, I guess. It was hard work but fun work, and we couldn’t screw up too bad because we didn’t have to cut anything or shape anything.  Just wear it down.

           The boyfriend was an annoying person. He belonged to her of the big brain and the even bigger breasts that she always smashed into too small bras.   We other two  — me of the B cup and he of the big but humble mind — came to dislike her as well but that came later.  For now it was all sweetness and light and the joy of sharing an apartment amongst surprising trees in SoCal just off the 60.   That’s how I remember it.

           So let’s not get to the irritation yet, lets stay with the sanding. The surprising pleasure of it. Its complexity: how you have to do the legs and the underbelly of the table – all the secret parts of furniture, even the simplest kind.    And the sound like a cough of the sanded wood:  persistent, dry but healthy.  We worked, and the boyfriend supervised.

           Then the surprise: we were going to put on the stain with the brushes and the tin of clear liquid and he said wait.  Let’s put a backgammon board on it. I didn’t like the idea. I wanted the table plain and smooth like we’d planned it and I wanted the lightwoods; always I have loved the look of that.  But he insisted and he was pushy – ok already he is beginning to get on my nerves I can see that – but she of the tiny bra and big breasts beamed at him, and we – I and he, the other much quieter boyfriend – said ok. The pushy boyfriend began to draw the outline of the board. He used magic marker I think – I can’t remember.  But I can see us filling in the points for the pieces – the long triangles and I found the fun again.  And then the finishing.

           We kept that table a long time. She graduated, and the boyfriend — still a drop out — kept promising to marry her.  I soldiered on in school with the quieter boyfriend, who was silently brilliant, and in the end it was us – the doubtful and the soft ones – who got the table, for the others didn’t want it.

           We two sat at that table in a new apartment near bigger trees filled with herons, and we played the game with pieces and we played the game with bodies.  Holding off on the finish.  Sanding ourselves down.

Jacqueline Haskins

State Route 78

           When I realized the man had only one arm, I swung the car around easy, no traffic either way. In the back seat, Lena was pattering some sing-song to Alfie, her stuffed dog, tipping him rightside up, upside down, relentlessly, a smear of soymilk on her cheek.
           I passed him again, turned again, and rode to a gentle stop behind him. I pulled my purse from the passenger seat onto my lap, and felt through it with one hand for my cell phone. The man glanced up briefly. He was very slender, with liquid, cherry-wood eyes. Then he focused back down on the bar in his hand.
           My hand bumbled through the whole purse without finding it. I puffed out an impatient breath and looked down into my lap, pulling out one thing after another – but no cell phone.
           Staring out towards the basalt-and-brown-grass ridge, I re-played the morning: engine running, Lena strapped in, the few steps back to grab my coffee, glance at the cat door, cat food and water, twist the baseboard heater to low, glance at the stove—no red lights—pick up my purse, set the lock, and out the door. Forgetting, I’m certain now, the cell phone on its charger.
           I sighed. What would Jesus do? Fine.
           “Lena, honey, I’m going to see if this man needs any help. You’re going to wait here for me, okay?”
           Lena has the blackest blue eyes I’ve ever seen. Nice her Dad left her something. She looked at me solemnly, wordlessly. Already she can wait me out. You’d think a child this age would have a fluttering attention span, but Lena seems born with an inner burning stillness that dislocates me sometimes.
           I brushed against the car, stepping quickly to the back hatch. I pulled the tire iron from its slot. There was a weapon-sized flashlight in the other side compartment so I grabbed that too. I hit the all-locked button and pressed the keys to the bottom of my pocket. One last look at Lena, but she wasn’t looking at me; she was absorbed in giving Alfie a headache again.
           The tire iron was cold, and ached in my tight grip. I hoped this was the right thing. I moved slowly to the mid-point between our cars, escape route clear behind me. He didn’t look around.
           “Need any help?” My voice sounded grating and abrupt, a nighthawk falling.
           The man set his tools on the ground with a gentle metal clanking, stood, and turned. I looked up, a little, into his face, tanned squint lines. The ropy muscles of his right arm fit the comfortable, leaned-back way he stood in well-used Carhardts. But I was surprised by the fresh-ironed lines in his blue-jean shirt, and the precise folds of the empty sleeve safety-pinned to the shoulder.
           “It’s just a flat tire.” His voice was quiet and certain. “Thanks for stopping, though.” Then he waited. One perfect curl of hair looped onto his forehead. He stood there looking at me, waiting for my move, for all the world like Lena.
           “I don’t have my cell phone.” I hate when someone just stares at me. “Thought you might need help. This flashlight has a red blinker.” I looked down at the metal cylinder, pushing the button. It cycled to flashing red. I stood the flashlight by the road’s white line, flashing back towards Pateros.
           His gaze swept the empty road, then came back to me – was that amusement? “Thanks,” he said.
           I saw a full-sized spare by his jacked-up, clean, older Honda. About half the nuts were off the left front, lying in the dish of his hub cap. Having done this myself, more than I’d like, I couldn’t picture how he planned to lift the spare onto the bolts with one hand. But I didn’t want to just say that. Jesus? Suggestions?
           The low sun drifted into clouds, and it felt like late afternoon jumped an hour closer to night. I cinched my unbuttoned sweater tighter with my left hand, the tire iron still clutched in my right. I looked at my car, but couldn’t make out Lena, just a reflection of tan hills fleeced with clouds.
           “I could help you lift that tire up, if you need me to,” I finally said. There was a gritty gum wrapper near my shoe. Looked like Juicy Fruit.
I glanced up to see his eyebrows flicker up a second, to land it seemed in a gentler space, like mallards cutting a quiet wake through a beaver pond. I wondered if he hunted. I wondered if he had a wife. No left hand to check.
           “It’s just a flat,” he said softly, in the way I wished there were a man to say to Lena, It’s just a dream. It’s all right now. Go back to sleep.
           “I’ve done this a hundred times,” he added. Kindly, like you’d praise an old dog.
           I hid behind my lashes a moment. Like blankets hang across living room windows in my neighborhood: cramped houses, wishing for fresh paint, yards gone to dirt. I blinked, and the dampness was gone.
           I scooped up the flashlight. One more push of the button stilled it. I studied it, hearing for the first time, in the perfect quiet, the even tocking I had silenced. He seemed like he could have been from out here. From this open, sage-breath country, domed purple and gilt by low light. I searched my mind for anything else I could possibly say.
           “Sure, uhh, good luck then.” A few steps backwards, the tools were on the passenger floor – a reassuring touch to Lena’s arm, and I was pulling out.
           I watched him in my rear view mirror. He stood there, for the moment before I rounded the curve, watching my car, or maybe the clouds crowding the sun, estimating, maybe, how much daylight was left.

Debbie Graber

That Which Is Inevitable

           Mary Margaret struts towards Ron’s cubicle in a pair of backless high heeled sandals. She read in Self magazine years ago, back when she was still reading Self magazine, that high heels make a person’s legs look longer. Mary Margaret believes that long legs make the right impression on the right people.
           Mary Margaret wears a royal blue embroidered knit top and a matching ruched skirt that purposely rides up her pale thigh. Her hair is colored from a box, a color called Medium Ash Brown/Suede.
          Mary Margaret buys both her Medium Ash Brown/Suede hair color and her clothes from Target. Mary Margaret finds that Target’s clothes are inexpensive, stylish, and just plus-sized enough to fit her. Mary Margaret is on the lean side of the plus-size market. This makes Mary Margaret feel good about herself when she dresses for work in the mornings.
          Earlier, Mary Margaret heard Ron utter “big ‘ole titties” under his breath as she passed by him in the hallway.
          Mary Margaret hears at a higher frequency than most people, higher even than most dogs. Sometimes at night, Mary Margaret hears wailing outside her bedroom window, and holds out hope that a werewolf will steal her away into the brush and make her the queen of his pack.
          Mary Margaret buys all her bras at Target. They are called “Sunset Minimizers.” They are lacey, come in a variety of colors, and are one of the few bras sold at Target that cover most of Mary Margaret’s breasts. Mary Margaret hates to hear her breasts being referred to as “titties.” Employees have titties – Directors have full, voluptuous creamy breasts. Mary Margaret bought a “Sunset Minimizer” black corset with scarlet embroidery and matching boyshorts that she plans to wear to the company Halloween party later. She told anyone who asked that she is dressing up as a sexy witch. Mary Margaret wouldn’t be surprised to find out that she is related to one or to several of the Salem witches. She has powers.
          Mary Margaret uses her superhuman hearing to discern snippets of whispered conversations that her employees think they are having in private.  Strutting towards Ron’s cubicle, she overhears another employee whisper “Mary Margaret is a cocksucker.” Earlier in the week, she heard the words “viper,” and “lazy” while passing by employees who were out on the patio, taking one of their state-mandated fifteen minute breaks.  Mary Margaret is a Director. She is practically everyone’s boss, except for the CEO who is her boss.
          Mary Margaret believes that she is fulfilling her destiny. She believes that she has always been a Director, ever since she came out of the womb, even though her promotion just came through last year.
          Mary Margaret keeps an excel spreadsheet on her computer desktop to keep track of the employee comments she hears. Updating the spreadsheet can take up most of Mary Margaret’s work day, when she isn’t in meetings discussing client pain points, important goals and agenda templates. If Mary Margaret’s spreadsheet indicates that an employee has made a disparaging comment about her more than three times, the employee is called into Mary Margaret’s office and written up for something unrelated.
          Mary Margaret peeks in Ron’s cubicle, which is bare and undecorated. Mary Margaret’s office, by contrast, is decorated in a Zen theme. She had Operations install a fountain with a smiling sun face that she purchased at Target using her company credit card. The sound of the water drowns out the employee voices humming in Mary Margaret’s ears. Ron appears to be working on a software project. He doesn’t look up.
          “Ron, will you please join me in my office for a moment?” Mary Margaret asks. She speaks in a low, affectless tone. Her inflection hardly wavers in any conversation. Mary Margaret struts towards her office. She can sense that Ron is following behind her. Mary Margaret has heightened senses, like those of a clairvoyant.
          Mary Margaret closes her office door once Ron has entered. She situates herself in her chair, and makes sure that her ruched skirt is not riding up so high so that Ron would be able to look up her skirt without trying. If Ron wants to look up her skirt, Mary Margaret would like to see him be proactive about it. If Mary Margaret can prove using an excel spreadsheet and accompanying graphs that fifty percent or more of her employees are showing initiative, she gets an extra thousand dollar bonus.
          “It’s been determined that you have not been taking your state-mandated fifteen minute breaks.” Mary Margaret says, in her low, affectless tone. She doesn’t know or care whether Ron is taking his breaks or not. Mary Margaret uses the state-mandated breaks as an excuse to write up employees who have said shit about her.
          She tries not to abuse the state-mandated break excuse too much, but it is getting more difficult. Mary Margaret is constantly catching her employees savaging her work ethic, managerial style and personal appearance. Mary Margaret has had to get very creative about write-ups. Last week, she wrote up an employee for changing a computer administrator password before the allotted forty-five days had passed.
          Mary Margaret overheard that employee saying to a friend that the only reason Mary Margaret had been promoted was that she let the CEO teabag her repeatedly. That employee was adamant about the teabagging. When Mary Margaret called that employee into her office, she used her special powers to make that employee cry.
          Mary Margaret speaks to Ron in a direct, yet non-threatening way. She crinkles up her face so that she appears warm and concerned and non-threatening.
          While Ron explains that there must be some mix-up, that he always takes his breaks, Mary Margaret’s mind wanders. She thinks about productivity strategies and Role Based Quick Start Guides and System Setup capabilities. She suddenly remembers an old X-Files episode, one of the episodes early on in the run of the show when it seemed that Mulder and Scully might get together until their mutual attraction was thwarted by an alien or by Mulder’s obsessing over his missing sister who was abducted by a UFO. Mary Margaret can’t remember what exactly thwarted Scully and Mulder’s budding love affair in the particular episode she is remembering, only that their love was indeed thwarted.
          When Ron finishes speaking, Mary Margaret modulates her voice to take on a harder edge. It is a conscious shift in tone, and one that Mary Margaret has honed to perfection.
          Mary Margaret can speak extemporaneously about many specific topics, including marketing strategies and communications, disaster recovery protocols, product end of life timelines and added value mapping. This is what she talks about when the CEO teabags her, only in a sexier way. She is a professional.
          Mary Margaret breathes deeply, inching herself into an extremely focused state. She believes that she can, if she concentrates hard enough, slow her breathing down to the rate equivalent to that of an Alaskan brown bear in hibernation. On weekends, Mary Margaret tries to bend spoons using only her mind.
          Mary Margaret notices an emanation enter her office through the air conditioning vent overhead. Only in a state of extreme concentration can she sense the emanation. The emanation is colorless and smells of cotton. Mary Margaret believes that the emanation is something she calls That Which Is Inevitable. Mary Margaret notices it circling around her office like a large but invisible bird, flying lower and lower, until it lands directly on the shoulder of her royal blue knit top and pecks lightly at the embroidery. Mary Margaret has tried on many occasions to commune with That Which Is Inevitable, but it seems to purposely elude communicating with her. Mary Margaret tried to contact That Which Is Inevitable with her Ouija board one weekend, but she ended up contacting someone who spelled out that he was a friend of her great Uncle Pat’s.
          After Ron finishes defending himself, Mary Margaret says, “Ron, in the future, I’ll expect you to follow the company’s published processes and procedures.”
          Mary Margaret employs this sentence for when her employees fail to live up to her expectations. She likes to call the employee by their proper name because it makes her disappointment appear more personal.
          Mary Margaret finds satisfaction when Ron’s face turns beet red and he stammers, reaching for a comeback. Ron tries to explain, this time in louder, more exacting detail, about how he can be found smoking out on the patio between 2PM and 2:15PM every workday, and then again, while eating a snack from 7-11 between 4PM-4:15PM.
          Mary Margaret relishes this type of cat and mouse game. She puts on a new face, one of consternation and discord and a touch of sadness. Mary Margaret practices this face in front of her bathroom mirror on weekends.  The face indicates to Ron that she regrets that they have to have this conversation, as Ron is a perfectly average individual with a clean shaven face and a nondescript manner, but that she has no choice given his insubordination. Ron needs to be dealt with quickly. Directors do not have “titties.” Mary Margaret narrows her eyes and squints, trying to permanently wipe the image of Ron’s clean shaven face and his blue Dockers off her retinas.
          As she squints, Mary Margaret realizes that she can see into Ron’s heart, into his leached bones and overcaffeinated bloodstream. She imagines Ron’s penis engorged with blood.  She has a vision of Ron suckling at her full, creamy voluptuous breasts. Mary Margaret wonders when she acquired X-Ray vision but is unphased by the discovery of this heretofore unexplored phenomena. She is reminded of another X-Files episode, one wherein Mulder discovered heretofore unexplored phenomena before getting distracted by thoughts of his missing sister.
          Mary Margaret straddles two separate planes of existence. That is why she is a Director, while Ron is merely an employee. It also explains why That Which Is Inevitable comes to visit her occasionally.
          Mary Margaret imagines That Which Is Inevitable resting on her shoulder, pulling locks of her Medium Ash Brown/Suede hair out to the side, so that they resemble Medusa’s snakes. Mary Margaret’s thoughts wander to community forum feedback, the failure of babies to thrive, the meanings behind crop circles and the role of ancient astronauts in the creation of the statues on Easter Island. Mary Margaret watches the spittle fly from Ron’s full, thick mouth.
          “Ron, in the future, I’ll expect you to follow the company’s published processes and procedures. Consider yourself written-up.”
          Mary Margaret knows what will happen once she throws out the write-up. All employees know that getting written up causes a myriad of problems, including but not limited to the addition of a permanent black mark on their HR record. As expected, Ron is finally rendered impotent. Mary Margaret has a vision of Ron’s engorged penis deflating and sagging towards the right.
          Ron leaves Mary Margaret’s office in a huff, slamming the door behind him harder than he should. That Which Is Inevitable leaves the office behind Ron and dissipates over the call center.
          Mary Margaret hears Ron say, “fucking bitch.” She updates her spreadsheet to reflect this new comment. Then she leaves her office for lunch.
          Lately, Mary Margaret dreams of being burned at the stake. She wonders if these dreams portend a day in the near future when she will spontaneously combust.
          After lunch, Mary Margaret attends meetings. Mary Margaret discusses Quick Tip Marketing materials and the upcoming interdepartmental company potluck and Cost Transaction Report errors. If she concentrates hard enough, she finds that she can float effortlessly above herself. She is hoping to one day use her powers to travel through time with the werewolf who scratches and whines under her bedroom window at night.
          At home after work, Mary Margaret readies herself for the company Halloween party. She touches up her roots with a special root wand included in the Medium Ash Brown/Suede hair color box. She applies white powder to make her face appear otherworldy, and lines her eyes with black eyeliner. Mary Margaret makes herself up this way on weekends before going on Skype to play board games with a group she met on Craigslist.
          That Which Is Inevitable sits on the toilet seat and watches Mary Margaret get ready for the party. When she was young, Mary Margaret used to sit on the toilet seat and watch her mother get ready for parties, before Mary Margaret’s mother stopped going to parties. At a certain point, her mother stopped leaving the house altogether and put tin foil on all the windows to purposely shut out any sunlight.
          That night, the company Halloween party is held at a sports bar near the office. Mary Margaret arrives, dressed in her corset, boyshorts, fishnet stockings, a velvet cape and backless high heels. She passes employees dressed as zombies, vampires, ghosts and notices Ron in a toga. The DJ is playing “Monster Mash.” She orders a rum punch from the bartender, who has a plastic second head coming out from his shoulder. She notices the bartender and his second head checking out her cleavage. The bartender hands her the change, and Mary Margaret puts the change in his tip jar. He smiles with his one good mouth. Mary Margaret drinks the rum punch, feeling that the evening is off to a very interesting start.
          Mary Margaret notices some of her employees staring at her. Her eardrums vibrate faster to listen in on their internal dialogue. She hears comments like “Can you believe she wore that?” and “totally inappropriate.” Mary Margaret knows she looks extremely appropriate for a Halloween party, and wishes, not for the first time, that her employees weren’t such hateful assholes who hated her with such a white, hot hatred. She drinks five rum punches in a row, and is feeling breezier than she ever does in the office. Mary Margaret is too tipsy to figure out who said what so that she can update her spreadsheet on Monday, but she doesn’t care. The party is in full swing, and Mary Margaret wants to dance. She pushes her way onto the dance floor, out into the center, and starts to spin.
          Mary Margaret used to spin in place for hours and hours when she was a child. Spinning on her slippery basement floor, it felt to Mary Margaret as though the space time continuum was suspended. Even as a child, Mary Margaret suspected that the laws of physics did not apply to her. At a certain point, she would stop spinning abruptly. Mary Margaret would achieve a kind of liftoff, and for an unspecified period of time afterward, she was propelled out towards space, through the galaxies and solar systems and into the heavens. Dazzling sights flew by – shooting stars, black holes, planets being born and suns dying in a final burst of energy. But after a while, Mary Margaret would always find herself back on earth, sitting cross-legged on the concrete basement floor, inspecting the cuts and abrasions on her body, a probable result of her extraterrestrial space travel.
          Mary Margaret’s father used to make jokes about how he needed to build a padded room for her to play in. After Mary Margaret fractured her arm during one of these space outings, her mother locked the door of the basement with a padlock.
          Mary Margaret is spinning in place at the party, her cape whipping around her with centrifugal force, until it unties from around her neck and flies onto the dance floor. Through the din, Mary Margaret notices that a crowd has formed around her, although standing back to give her room. Mary Margaret feels a pang of gratitude that her colleagues and employees have given her this freedom. She whips around, faster and faster. She hears voices as she spins –
          “Look at that!”
          “What the hell is she doing?”
          “Oh, man, did you see the CEO’s face?”
          But Mary Margaret is beyond all caring about her hateful employees. She focuses her energy on spinning.
          She is focused on a tiny bright light that she sees directly in front of her, growing brighter and larger. Mary Margaret’s spinning intensifies. Mary Margaret feels that this time, she might actually breach the boundaries between her and That Which Is Inevitable. A feeling of power surges within her, and she believes that she will be flung out into the stratosphere in a blaze of glory, destroying the bar and all of her co-workers in a cleansing fire. She will finally meet the time-traveling werewolf so that they can be together for eternity.  But then the music stops abruptly. Mary Margaret feels someone grasp her shoulders to stop her from spinning. She tries to focus on the face of the person who has stopped her, but whoever they are, they have stepped away, leaving her to trip over her backless heels. Mary Margaret cannot keep her balance and falls on her behind with a hard thump. Mary Margaret suddenly feels dizzy and pukes down the front of her cleavage, soiling her “Sunset Minimizer” corset and matching boyshorts. She sits on the dance floor in a puddle of her own vomit, listening to the crowd roar. Faces contorted with laughter stream by, roiling like waves that wash over her again and again and again.
          Then Mary Margaret feels a hand touch hers. The hand feels cool and smooth, as though made from a wax mold. On weekends, Mary Margaret makes molds of her own hands and feet with paraffin wax.
          The hand pulls Mary Margaret gently to her feet and leads her out of the center of the room. When Mary Margaret looks up, she sees that it is Ron who is attached to the cool, smooth hand. His toga is stained, and his face is shiny with sweat.  He finds a clean towel and helps Mary Margaret wipe off the vomit from her costume. He lets her wipe off her own cleavage, even though her hand eye coordination is a little off from spinning and she misses some of it. He gives her a glass of water, and helps her drink it. Then Ron ties Mary Margaret’s cape around her neck. It is damp from splashed beer and footprints have been scuffed into it. Mary Margaret is grateful that Ron found her cape, even though it is ruined.
          “Good as new,” he says.
          Ron pats her on the shoulder and walks away before Mary Margaret can utter a word. She notices That Which Is Inevitable hanging on Ron’s shoulder, like a lover, whispering into Ron’s ear. She can’t make out what it is saying before it disappears completely, merging into Ron’s corporeal being.
          Mary Margaret is reminded of an X-Files episode where the balance of sexual power shifted from Scully to Mulder, just before both of them were distracted by a mysterious extraterrestrial object glinting in the snow.
          Mary Margaret stumbles into the ladies room where two of her employees are freshening up. Mary Margaret cannot discern what they are saying to each other in low, hushed tones. She has no idea what they are thinking as they wash their hands and reapply their lip gloss, conspicuously avoiding her gaze. Mary Margaret tries to focus by breathing in and out, attempting to slow her heartbeat down to that of a lamprey swimming in frigid Arctic Ocean temperatures, but her mind is a complete and total blank. Mary Margaret fears that she has heard the last of the werewolf’s lovelorn cries.
          As her thoughts wander to client resource management, user acceptance testing and risk assessment, Mary Margaret stares in the mirror. In the harsh florescent lights, she cannot recognize herself.  She realizes that this is what it means to be earthbound.  This is what it is like to be an employee.

Charlotte Davidson

Just Taste

           “So, don’t touch the stuff, Elizabeth, and whatever you do, don’t put it in your mouth.”  That’s what Dad said to me before the guys came with the trucks.  After I saw the ground in the orange grove covered with all those little white pebbles, I thought they looked just like salt – the kind we use to make ice-cream.  But when I told Dad that, and asked if I could taste to see if those pebbles were salty, he shouted: “Hell no! That’s super-foss-fate.  It’s fertilizer, for crying out loud.”  Then he caught sight of my little brother, Bebop, who was playing in the dog dish and had crumbs of K-9 Crunchies all over his shirt.  “Phyllis,” he called my mom, real loud.  “You gotta’ watch these kids!”  To me, he said, “That stuff’s poison!”
           Mom didn’t hear him, of course, because she was in the cellar sorting out canned goods and making way for all that strawberry jam she’d made.  She’s always putting food in jars in order to save money and she likes to give jam away to her friends like Gary’s family.  Gary loves to eat, and he loves jam.  But so as my dad wouldn’t feel worried about me tasting the white pebbles, I said, “Just kiddin’ Daddo.”  Then I got Bepop’s crumbs brushed off, took him inside, gave him a Zwiebach cookie, and showed him his favorite picture book.  Mom doesn’t have time to read to him or do anything-at-all-for-herself, she says.

*                    *                    *

           It doesn’t rain too often where we live, and even though our town is called Riverside, the river here isn’t more than a little trickle through some sand and old dusty bushes.  And since the weather is mostly always dry, Mom and Dad have to spend a lot of time watering plants.  Soon we’ll have a vegetable garden to water too, only there’s not much but straight lines dug in the dirt for the time being.   They’re called furrows.   I’ll put in some big seeds myself.  Squash seeds.  Dad’ll put in the carrot seeds because they’re too small for me to get in right.  I love carrots because I’m skinny like a carrot, and Mom and Dad always want to put meat-on-my-bones, but boy do I hate squash, even with tons of fattening-me-up butter and lot of salt on it.  Besides squash and carrots, our garden will have watermelon, beans, radishes, and tomatoes.  Then all we’ll have to do is keep Bebop out and our dog, Klutz, too.  They both like to dig.  After all the seeds are in, we water and pull up those little weeds, and by the time school’s out, we’ll be eating homegrown vegetables.

*                    *                    *

           It’s hot, and we’re not even in summer.  As soon as I get home from school, I take my sandwich and go sit in the orange grove under a tree.  That’s the coolest place to go when it’s hot like it is now, but I remember last year when it got hotter’n blue blazes, Mom filled up the wash tub for me to sit in.  I don’t know why she calls it the ‘wash tub’ because she finally has a machine with a wringer and everything.  But this year, now that I’m eight, I don’t fit in the tub anymore, so I want a plastic pool like I saw at Builder’s Emporium this weekend.  Dad says it’ll kill the grass.  He thinks everything has to be beautiful at our house.  Not like Gary’s house which has dead grass in the back yard and no nice trees.

*                    *                *

           Under my orange tree is the only place to be right now though.  In the branches I keep lots of stuff.   I have a rock collection and a collection of animal bones.  Plus I have little knick-knacks and gadgets, and my collections of shiny black seeds that I call aspirin and bigger red seeds I call vitamins.  There is a nutcracker for breaking open the seed pods where I find my aspirin and vitamins.  I just swallow some feathery cassia vitamin seeds when I need to feel strong, like when I have to carry Bebop inside when he gets out; and the pit-us-poor-‘em bush aspirin seeds when I get a headache like when Mom screams at me when I try to help her sometimes.  Once I asked Mom if I could eat those seeds, and she said that it wasn’t a good idea to just eat things like that, but I don’t think they hurt me.  Anyway, my tree is a very secret place.
           I love the smell under my tree.  It’s all kind of rotty but not like the garbage dump.  It’s dry leaves mixed with dirt, and an old orange can add a good smell, too.  But sometimes when those oranges turn that really pretty color of blue and green, I have to throw them against the fence because the smell is just too strong.  They make a great splat sound when they hit.
           What’s the best smell right now though is the blossoms.  It’s funny because when I get out of the car after school, the air smells so strong like orange blossoms, but when I go and put my nose right up against the flower it doesn’t smell like anything but dust and tree branch.  Mom says that ladies getting married like to use orange blossoms at their weddings.  I wonder if I smell these blossoms all the time that I’ll be getting married one day, too.   But not to Gary Bert.  No way.
           My mother likes Gary’s mother.  I don’t know why.  Gary’s mom is dumb.  I want Mom to like Jenny’s mom best, or Sheila’s.  We’re all in a car pool which means that my mom drives Monday and Friday.  She says it’s practical.  I’d rather she picked me up every day herself – just her and Bebop because I miss him when I’m at school all day.  Mom says she does enough by driving twice a week.  She drives extra because Sheila has a sick brother and Mom has to drive more often so that Sheila’s mom can take the kid to the doctor.
           My favorite carpool day is when Jenny’s dad gets us.  He takes the windy road and goes fast.  When Sheila’s mom drives, she’s funny and makes me laugh and gives all of us Juicy Fruit gum.  But Gary’s mom isn’t funny and doesn’t drive fast and Gary is always right there next to her in the front seat.  His brother, who’s littler than mine, takes up space in the back seat.  He’s a ratty kid, always with a dirty sun-suit and smelling like barf.
           When Mrs. Bert is coming to a stop sign Sheila and Jenny and I yell “STOP SIGN” and then I give the baby a pinch – just with the ends of my fingernails, and he screams, too.  Of course, Mrs. Bert thinks he’s screaming because we’re screaming and she tries to comfort Baby by goo-gooing to him and telling us that it’s not nice to scream.  No one but Baby knows that I pinched, but I think Gary’s happy that Baby’s sad.  Gary wants to be mommy’s own boy.  Not like me.  I can take care of myself.

*                    *                    *

           Now Gary’s going to move far away, across the ocean.  Mom’s never been there, but Dad was there once when he was in the army.  They’re not moving right away, but when school’s out – Dad says about the time we pick our first squash which Mom will try to force me to eat, like always.  I don’t know what will be better – no school or no more Gary.  Until they go, Mom says that Gary’s mom has lots to do and my mom has offered to help out by inviting Gary over to our house on the days that we carpool.

*                    *                    *

           I don’t know what’s worst about having Gary here.  First, we always have to have jam sandwiches because Gary doesn’t like tuna or even peanut butter.  Gary’s allergic to milk, so we can’t have ice-cream for dessert to cool off.  We have to have banana popsicles.  I hate bananas, and I hate popsicles.   Klutz has to be locked up in the tool shed because Gary’s afraid of dogs.  Klutz cries and scratches to get out and Dad’s mad because she scratched up the wood.  Plus Gary won’t swim with me in the wash tub because his dad bought him a plastic pool from Builder’s Emporium.  Gary says a wash tub is not a pool, and his dad doesn’t care about the dead grass in their backyard because they’re moving.
           Maybe the very worst thing is not being able to go under my tree.  If I want Gary to eat an orange after his sandwich, I tell him to stay where he’s put and not to move a muscle so that I can run to a tree that’s close to mine and get us each a good orange.  Of course, he doesn’t like to peel his orange himself because his hands get dirty, so I have to run my thumbnail all around under the orange’s thick skin without letting a drop of juice jump in my eye.  The sections come apart easy, and I tell Gary to eat his, and he does.  But when his mom comes to get him, just before Dad comes home from work, I can see little tears in his eyes.  He’s real happy to see his mom.  She’s happy to see him too.  Stupid lady.

*                    *                    *

           “It’s poison.  Don’t eat it.”  That’s what Dad told me about the little white pebbles.  Now every time the phone rings, I feel kind of sick hoping it’s Mrs. Bert telling my mom that Gary’s OK.  But when I ask Mom if she’s heard from Gary’s mom and if Gary’s sick or anything, she just looks at me funny and says that Gary’s family moved far away right when school was done and school’s almost ready to start again, and she doubts that we’ll ever see the Bert family again.  Then she wants to know why I care about Gary when I was so mean to him.  And I say I wasn’t mean to him, but he was mean to me and didn’t like my pool, or my dog, and he wanted to grow up and get married which was dumb, and he wouldn’t do stuff I told him to do which was also dumb.
           It’s just that when I finally decided to show Gary my tree and wanted him to take some aspirin and vitamins –  which I told him were really good for him –  he said that he didn’t like to eat seeds, and his mom wouldn’t let him.  And I said that my mom let me.  And he said my mom was crazy.  So I showed him the pebbles on the ground in the grove and told him it was salt like to make ice cream, and it made the trees grow.  He said that my dad wouldn’t put salt all over the ground just to make trees grow bigger, so I said, “Sure he would.”   I picked up a little white pebble and held it close to his mouth. “It’s salty,” I said.  “Come on.  Just taste.”